Jorge Lewinski, Francis Bacon, photograph, 1985. Francis Bacon at the BBC. http://fb-akermariano.blogspot.com/2009/10/francis-bacon-at-bbc.html
Ferocious: Painter Francis Bacon's Centenary Birthday, 28.10.2009. http://fb-akermariano.blogspot.com/2009/10/bacons-centennial-birthday.html
Bacon’s Crucifixion, 1933, the earliest painting in his Centenary Retrospective, was illustrated in Sir Herbert Read’s 1933 survey, Art Now, to cement Bacon’s later success. Metropolitan Museum of Art, New York, May 2009. http://fb-akermariano.blogspot.com/2009/11/sacred-monster.html
1933 Crucifixion, oil on canvas, 60.5 x 47.5 cm, Murderme, London. http://fb-akermariano.blogspot.com/2009/05/pintor-de-la-violencia-y-el-horror.html
Bacon's Three Studies for Figures, c. 1944, the first painting in the Centenary Retrospective of his work at the Metropolitan Museum of Art, New York, May 2009. http://fb-akermariano.blogspot.com/2009/11/sacred-monster.html
George Frederic Watts (1817-1904), Hope, 1886, oil on canvas, 142.2 x 111.8 cm, Tate Gallery, London. http://fb-akermariano.blogspot.com/2009/11/sacred-monster.html
Examining Francis Bacon’s “Three Figures for the Base of a Crucifixion” at the Prado in Madrid. Photo by Matias Costa for The New York Times. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html
1949 Head II, oil on canvas, 80.5 x 65 cm, Ulster Museum, Belfast. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
Work document. Book leaf with paint additions. "Men Wrestling," lower half of plate 69 from Eadweard Muybridge’s The Human Figure in Motion (1887), New York: Dover Publications, 1955. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-new-york.html
1952 c. Untitled (Study for Two Figures in the Grass), oil on canvas, 147.5 x 132.2 cm, The Estate of Francis Bacon, London. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-new-york.html
Bacon at the Prado, photograph, [c. 1950]. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html ABC
1957 Study for Portrait of Van Gogh VI, oil on canvas, Arts Council Collection, Southbank Centre, London. http://fb-akermariano.blogspot.com/2009/11/sacred-monster.html
1961 Francis Bacon, Seated Woman (Portrait of Muriel Belcher). "Estimated value between 7.5 and 10 millions euros" (Tom Lubbock). Getty Images. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
John Deakin, Photograph of Francis Bacon in Soho, London, early 1960s. Exhibition catalog cover - Paris, Centre Georges Pompidou, Francis Bacon, June-October 1996. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html
"Animal carnality ... Francis Bacon's Three Studies for a Crucifixion, 1962" (Adrian Searle). http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
Photos from Francis Bacon's studio, featuring Peter Lacy, George Dyer, and the painter himself, c. 1950-65. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html The Irish Times, 27.10.2009
1963 Francis Bacon, Three Studies for a Portrait of George Dyer, oil on canvas, each panel 35.5 x 30.5 cm. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
Work document. Photobooth portraits of Francis Bacon, George Dyer, and David Plante, taken in Aix-en-Provence, c. 1966-67, and mounted to the inside cover of a book. Gelatin silver prints collaged to a book cover, 25.9 x 22 cm. The Estate of Francis Bacon, London. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-new-york.html
Work document. John Deakin (1912–72), George Dyer in the Reece Mews Studio, photograph, c. 1964. The Hugh Lane Gallery, Dublin. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-new-york.html
1963 Turning Figure, oil on canvas. http://fb-akermariano.blogspot.com/2009/03/100-bacon.html
1965 Crucifixion, oil on canvas, each panel 198 x 147.5 cm, Staatsgalerie Moderner Kunst, Munich. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
Francis Bacon: A Centenary Retrospective, installation view at the Metropolitan Museum of Art, New York, May 2009. http://fb-akermariano.blogspot.com/2009/11/sacred-monster.html
1967 Triptych inspired by T.S. Eliott's Poem "Sweeney Agonistes," oil on canvas, each panel 198 x 147.5 cm, Hirshhorn Museum, Washington, DC. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-new-york.html
1971 Two Men Working in a Field, oil on canvas, 198 x 147.5 cm, Merians Collection, NY. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html Christie's
1971 Lying Figure in a Mirror, 1971, oil on canvas, 198.5 x 147.5 cm. Museo de Bellas Artes, Bilbao. http://fb-akermariano.blogspot.com/2009/11/figura-en-un-espejo.html
1971 Triptych, In Memory of George Dyer, oil on canvas, each 198 x 147.5 cm, Beyeler Foundation, Riehen-Basel. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
1971 Dyer: pictorially knock-out. Triptych 1971 (In Memory of George Dyer), left-hand panel motif. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
1971 Head of Dyer, detail from the left-hand panel of Triptych 1971, painted in his memory. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
Inquisitive: Bacon and Book, photograph, Arcos de la Frontera, Spain, 1972, Archivo Janetta Parladé. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html ABC
1973 Triptych May-June, as exhibited at the Tate Gallery, London 2008. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
1973 Triptych May-June, center panel detail. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
"Man of contrasts: Bacon in 1975. His famously frivolous wit masked the intense melancholy of much of his work" (Brian Sewell). http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
Francis Bacon in his 7 Reece Mews, photograph, 1977 http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html
1978 Trying to insert the key with a feet. Detail from Painting 1978. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
"Centenary show: Francis Bacon's £43 million triptych" (Louise Jury). http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
1979 Three Studies for a Self-Portrait, oil on canvas, each 37.5 x 31.8 cm, Metropolitan Museum of Art, New York. "At seventy the artist appears ageless. [...] In this work his own face, rather normally proportioned in the center painting, is flanked by grotesquely distorted, blurred versions at the sides. The overall effect is of the artist's having subjected himself to a quick yet probing examination in a mirror, an effect accentuated by the word "studies" in the title" (Sabine Rewald, "Recent Acquisitions," Met, 1999). http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-new-york.html
Self-taught painter Francis Bacon with his Self-Portrait 1973, photographed in 1985. http://fb-akermariano.blogspot.com/2009/03/francis-bacon.html
Bacon and Edwards, London, 1985 - A photograph published only in 1993 (after the painter's death), by Daniel Farson. Source: BBC, 25 April 2001. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
1985 The cyclopean head of Figure in Movement: one eye, no brain, full mouth. http://fb-akermariano.blogspot.com/2009/03/foam-of-feeling-and-existential.html
1988 c Blood on Pavement, oil on canvas, 198 x 147.5 cm, private collection. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibition-reviews-new-york.html
1989 Seated Figure, oil on canvas, The Estate of Francis Bacon, London. http://fb-akermariano.blogspot.com/2009/10/quotations.html
1991 Francis Bacon, Triptych. http://fb-akermariano.blogspot.com/2009/11/centenary-expo-reviews-london.html
Francis Bacon's Studio, Race Mews 7, photograph by Perry Odgen. http://fb-akermariano.blogspot.com/2009/11/centenary-exhibit-reviews-madrid.html The Hugh Lane Gallery, Dublin
Bacon Briefcase, from the add "Drop excess baggage," created by the beauty care company VLCC (Sliming, Skin and Hair Services), 2007. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. "How to judge the character of a face," London, 1952. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. A reproduction of Portrait of Innocent X (Velázquez, 1650; Galeria Doria, Rome). http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Francis Bacon, Peter Lacy, photograph, Ostia, 1954. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work documents. A note by Bacon, referring to one of his pictures: "The image of body to come over white circle," and a fragment from George B. Bridgman's Complete Guide to Drawing from Life, New York: Sterling Publishing Co., 1952, p. 31. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Cecil Beaton, Francis Bacon en su taller, fotografía, 1960. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Reproduction of Velázquez's Portrait of Phillip IV of Spain (1655). http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Page from the book Velásquez, by José Ortega y Gasset, Paris: René Julliard, 1954, plate 98: Diego Velázquez, El infante Felipe Próspero, 1660. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Photograph of Bacon's face, used by the painter to make several self-portraits. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Destroyed works. Three small portraits painted by Bacon and subsequently slayed by the author (The Irish Times, 27.10.2009). http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Fragment of a photograph, with the upper half of Bacon's head - Source 243, The Hugh Lane Gallery, Dublin. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
Work document. Photograph Bacon's Study for Portrait of Lucian Freud (Sideways), 1971. http://fb-akermariano.blogspot.com/2009/11/archivos-privados.html
