Yes, those machines are real and yes, they're planning to destroy the human race.
At the last leg of our journey, fun is had by all at Lab 601.
Lab 601's Pete Ballard and his team.
One of Lab 601's post-production suites.
Lab 601's sound recording room, designed with slightly better technology than the egg-cartons you put up in your shed.
If you want the room that has everything at 601, ask for Area 7.
IFP's (Independent Feature Project) Amy Dotson is skeptical about the machines' chances of global takeover.
Editor Ethan Segal shows off some of the work he's doing. Matt Dentler observes.
Ethan explains the program for editing films. Or operating a city power grid. They look similar.
All around, we see clips of the upcoming film THE SIGNAL. Lab 601 handled the film's post-production, so it makes sense.
Juror Cevin Cathell also has a grand time, but shows it differently.
Dentler braves Lab 601's pole.
Matt worries if pole technology has changed since he was five.
Talking with Lab 601's Mark Wynns.
