TREE of LIFE: Modules of clay based on repetition, organic form, and a theme of "peace". All pieces have rounded edges rather than having a "cookie-cutter" appearance. Each piece has a one-half inch hole pierced into it where it will be mounted on the Tree of Life framework. Holes are pierced larger because clay shrinks, both during the drying process and the firing process.
Tree of Life Framework Center section is wheel thrown (unlike student work) with coils used for linear work. Pinch pot technique was used in forming the candle holder forms on top.
Holes are pierced into the frame to accept modules that are fired and painted separately. Holes must be almost twice the size needed due to shrinkage in drying and firing.
Preliminary (acrylic) painting of framework. Unpainted modules are applied to see what spaces are exposed on the frame. Some modules are on table showing preliminary color work.
Painted modules arranged temporarily. Next step is to remove these and apply clear acrylic sealer/finish to each piece and to the tree structure separately before gluing.
Clay Tree-of-life with modules and acrylic painted finish.
Student planning sketch base on theme. This is for he boy friend who is an auto mechanic.
Another student in the planning stages. Handout of sample tree of life structure to help organize space.
Forming a base. Students could choose a slump mold or hump mold technique when using bowls as the form from which to create their base.
Creating coils: Skill and Technique
The lattice work for the 'tree' was created directly over a life-size drawing. Symmetry is encouraged, but not absolute. Asymmetrical designs would be accepted if student thought through the visual and physical balance.
Paper patterns aid in consistent sizes of modules.
Paperclay is used to attach coils and to attach lattice to base.
Millers Falls 20G clay is used for sculpting.
Surface must be controlled and smoothed to easily accept paint, and later paint markers.
Cleaning up edges is important to prevent cuts and/or chipping of edges once the pieces ar fired.
Controlled drying process is extremely important. Clay parts must be joined when leather hard using paper clay.
Slow drying important.
Holes in pieces are pierced with a thick wire, twice the thickness of the wire that will be used for mounting. Burrs that are created must be removed without creating an indented space.
My Celtic 'twist' is ready for firing!
