Using WookieGroomer's 1080p splitscreen of the 1993 & 2004 versions of Star Wars: A New Hope, I have attempted to recreate, upgrade, and expand on the official visual comparison. I hope this compiles all of the changes between the 1993, 1997, and 2004 versions of Star Wars. I also hope this will convince people that we should have the original version, even with its flaws. --------------------------------------- Individual descriptions are taken from the official list and marked so each change is attributed to which Special Edition. Descriptions marked with an "*" are entries not in the official listing. ------------------Several of these changes may only be differences in the 1993 print of the original version used for the 2006 DVD.
"The original 1977 version of Star Wars began with the painted 20th Century Fox logo, which was updated in 1997 to the new digital logo that identified Fox as a News Corporation company." (1997 change)
"The plain green Lucasfilm Limited card was replaced in 1997 with an animated presentation, though the 'new' logo had been in existence since before 1977." (1997 change)
The preface was rendered thinner with wider spacing in 1997 (middle) and yet again in a different font in 2004 (bottom). (1997 Change, 2004 Redo)*
The Star Wars logo recedes much faster in the Special Edition, though no one knows why, as the crawl worked with the slower logo in 1981 after adding "EPISODE IV: A NEW HOPE". Also note the different starfield in the 1981 version (middle image) (1981 Change, 1997 Redo)*
"The original 1977 theatrical crawl did not begin with an Episode title or number; these were added in the 1981 theatrical re-release." Also note the different starfield in the 1981 version (middle image) (1981 Change, 1997 Redo)*
"The spacing of the words in the title crawl has changed to avoid single words on a line ending a paragraph. Also note that the capitalization of "Rebel" was fixed in the second paragraph so that it matches the first." NOTES: The original opening crawl had the text on 21 lines, so to still keep it as 21 lines when adding two new lines in 1981 (Episode IV, A NEW HOPE) they simply changed the spacing of the words in the first two paragraphs of the text. This also changed the musical timing. The word "Rebel" is capitalized in the first paragraph because it begins a sentence. Perhaps it was changed more to match the capitalization in Empire Strikes Back's crawl. Also note the different starfield in the 1981 version (middle image) (1981 Change, 1997 Redo)*
"Another example of the 1979 reshuffling of the crawl to avoid ending a paragraph with a single word on a line." Also note the different starfield in the 1981 version (middle image) (1981 Change, 1997 Redo)*
"The last paragraph of the crawl was left largely unchanged, though the spacing of the ellipsis has been widened to make the text more block-shaped." Also note the different starfield in the 1981 version (middle image) (1981 Change, 1997 Redo)*
The camera pans down from the crawl faster and settles on the planet for several beats before the Blockade Runner flies overhead in all versions since 1981, while the ship flies overhead as soon as the camera settles on the planet in 1977 along with its musical cue. The matte painting of the moons are also stretched slightly vertically in the original version, which was fixed in the 1981 release (middle). (1981 Change, 1997 Redo)*
The entire first shot was recomposited in 1981 (middle), then recomposited again against the original starfield for the 1997 Special Edition. The glare from the engines is more evident in the 2004 version than any previous version. (1981 Change, 1997 Redo)*
The starfield is different for the 1997 version. Not sure why. (1997 Change)*
This first shot of R2 and 3PO has been reframed, possibly due to a tear in the negative. (1997 Change)
In order to retain image quality by using the original negative, this fade was redone optically by Pacific Titles. (1997 Change)*
The Blockade Runner was recomposited, the matte lines reduced, and the docking animation smoothed out. (1997 Change)*
The Blockade Runner was recomposited and the shadows darkened while the escape pod was also recomposited and has some motion blur added. (1997 Change)*
The Escape Pod and starfield was recomposited and reframed. (2004 Change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. (1997 Change)*
"The sky in the original 1977 version of this shot was changed to better match continuity with other shots in the desert sequence." The sand dunes also seem to be digitally redone, as if they only kept the part of the image around 3PO. * (2004 Change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. This wipe transitions into a Special Edition scene. (1997 Change)*
"The 1997 release lowered the horizon line of this establishing shot to make room for a digital sunset. The camera still tilts down to reveal R2-D2, as it did in the 1977 release." (1997 Change)
"The 1997 Special Edition release changed the sky of this shot to better represent twilight." (1997 Change)
"The original shot of the sandcrawler model was shot day-for-night, meaning the artificially darkened daytime sky would not have stars. The 1997 Special Edition digitally changed the sky to a starry night." (1997 Change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. This wipe transitions into a Special Edition scene. (1997 Change)* (not frame accurate)
"The 1997 Special Edition expanded the search for the droids with new footage of stormtroopers combing the desert, complete with digital landing craft and dewbacks." (1997 Addition)
"This 1977 shot was enhanced in 1997 with far more mobile digital dewbacks." (1997 Change)
"The original shot of the sandcrawler model was replaced with a new shot of the same model moving across a miniature landscape in 1997." (1997 Change)
"The original framing of this shot was scaled down, with the image area extended with a digital matte painting that added more vaporators and more sandcrawler than was practically built on location." The additional vaporators are gone in the next shot from this angle. (1997 Change)
Leia's hologram was recomposited in 1997 and the beam from R2 was digitally redone to stabilize and give it more of a glow. (1997 Change)*
Leia's hologram was recomposited in 1997 and the beam from R2 was digitally redone to stabilize and give it more of a glow. Note how the original beam goes well over the top of Leia's head. (1997 Change)*
Leia's hologram was recomposited in 1997 and the beam from R2 was digitally redone to stabilize and give it more of a glow. Note that now the scan lines on Leia are vertical in the SE. (1997 Change)*
"A strange omission in the 1997 Special Edition was the animated cone of light that extends from R2-D2's holographic projector, seen in the 1977 theatrical version." Strange that the official list points out that this is missing from the Special Editions. This may be missing due to going back to the original negative and not adding the light back. (1997 Error)
Another example of the missing beam of light in the 2004 version. * (1997 Error)
Leia's hologram was recomposited in 1997 and the beam from R2 was digitally redone to stabilize and give it more of a glow. It also looks like the "sparks" coming from the restraining bolt have been recomposited. (1997 Change)*
Clouds were added to the 2004 Special Edition to better match the close up of the suns. It is also possible that the suns were recreated from scratch. Both suns also seem to set starting with 97, when only the red sun did originally. (2004 Change)*
"The 1997 Special Edition removed some occluding landscape from the famous twin sunset scene, to match continuity to the long shot which has an unobstructed view of the suns." Actually the mountain is present in the 1997 Special Edition, making this a 2004 change, however the suns were recomposited in 1997 to get rid of some static grain. (1997/2004 Change)
"The sky originally changed color when the camera cut from close-up to medium shot in this scene, since each was gathered at a different time. The Special Edition corrected the color of the redder sky to match." (1997 Change)
It looks like a different frame was chosen when this shot was recomposited for the wipe, as a faded Luke can be see stepping through the right-most door. (1997 Change)*
"All the landspeeder hovering shots were enhanced in 1997 with more realistic digital shadows. The original 1977 versions had thick hand-animated shadows." (1997 Change)
"Though hard to spot, the landspeeder model element that moves through the valley was replaced in the 2004 DVD release with a more realistic digital incarnation." (2004 Change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. (1997 Change)
"The establishing shot of Obi-Wan Kenobi's hut was replaced in 1997 with a combination model / digital matte painting." (1997 Change)
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. Somehow the element closer to the saber handle doesn't have the flat glow the original did. (1997 Change)*
Leia's hologram was recomposited in 1997 and the beam from R2 was digitally redone to stabilize and give it more of a glow. It looks like the analog flicker is off by a frame in the SE of this shot. (1997 Change)*
"Another example of the replaced landspeeder shadow effect." (1997 Change)
The elements were recomposited due to the wipe to this scene, also changing the timing making this shot longer. (1997 Change)*
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. This wipe transitions into a Special Edition enhanced scene. (1997 Change)*
"This landspeeder shot used foreground scenery to hide the practical vehicle's wheels. For the 1997 Special Edition, the entire speeder was digitally 'lifted' above the ground." (1997 Change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. This wipe transitions from a Special Edition enhanced scene. (1997 Change)*
"The original matte painting of Mos Eisley was replaced in 1997 with a more detailed one for a shot that also featured some distant air traffic." (1997 Change)
"The original version (top) suffered from thick matte lines and blobby shadows. The 1997 version (middle) enhanced the background and added digital scurriers. The CG landspeeder was further enhanced for the 2004 DVD release (bottom)." (1997 Change, 2004 Redo)
"This 1997 "helicopter shot" which starts at street level..." (1997 Addition)
"...and then ascends high over Mos Eisley is a digital matte painting featuring bluescreened live action elements. Dash Rendar's Outrider is flying in this shot." (1997 Addition)
"Another new shot from 1997, consisting of digital matte painting and miniature background, bluescreened extras, and CG droids, speeder and creatures." (1997 Addition)
"Elements from the 1977 background were isolated and retimed in 1997. The horizon line was dropped to accommodate the large CG ronto creature. Digi-matte buildings bulked up the skyline, and a ground-hugging speeder was 'raised' a few feet." (1997 Change)
"The green and white R2 unit seen in the 1977 version was replaced in the Special Edition by a thick-skinned ronto." (1997 Change)
"A hovering Imperial sentry droid was added to this shot in 1997." (1997 Change)
"Another ronto was added to this scene to further populate Mos Eisley." (1997 Change)
"Also from the Special Edition was this shot of a downed vessel in a Mos Eisley thoroughfare, achieved through model photography and a digital matte painting." (1997 Addition)
"The original 1977 version of this shot suffered poor image quality from repeated optical compositing to obscure the wheels of the landspeeder with a hand-animated haze. The Special Edition version is much sharper, as digital compositing retains an original image's clarity. The speeder wheel removal and ground replacement is much more realistic, and a ronto and Imperial transport were added." See next photo for comment. (1997 Change)
A better quality version of the original (taken from a Japanese Laserdisc) helps us notice more of the differences, such as how the 1997 speeder has been cropped from the bottom to give it more "lift" instead of going back to the filmed negative and starting from scratch. (1997 Change, continued)
"To match continuity with the previous shot, a ronto was added to the background." (1997 Change)
"Originally achieved through a traditional matte painting since there was no shot of the entrance that didn't contain the principals in the frame. To add life to the still image, live action extras and a CG dewback were added." The light is still coming from the wrong side, showing that they reused the original mistaken matte painting. (1997 Change)
"The stationary dewback was replaced with a CG one that moans as the characters enter the cantina." (1997 Change)
"The shot of the cantina 'Wolf Man' was replaced with an insert shot of the Melas puppet in 1997." (1997 Change)
"The Ketwol puppet was digitally composited into this frame to replace the "Hyena Man" character, Lak Sivrak." The "Ketwol" puppet is the same as the "Melas" puppet that replaced the Wolfman in the earlier shot, only backwards. (1997 Change)
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. (2004 Change)*
"For this exterior shot, two digital dewbacks and a stormtrooper rider were added." (1997 Change)
"The most talked about change of them all: Han Solo's 'Yes, I bet you have,' is shortened to allow for an exchange of blaster fire in 1997. It was slightly retimed in the 2004 DVD release." The original shot where Han shoots Greedo through the table was replaced in 1997 with a long shot of Greedo shooting at Han before Han returns fire in self-defense. Han's line in 1997 lacked the "Yes", but is restored in the 2004. The 2004 edition adds an earlier additional blaster bolt to give the impression that they shoot at the same time, however it disappears and the 1997 bolt is the one that hits its mark. Also, Han's dodge movement was enhanced in 2004 from the 1997 edition; instead of just moving his head, Han's whole body moves. (1997 Change, 2004 Redo) (not frame accurate)
"The hovering sentry droid was added to this scene." (1997 Change)
"For this scene, the sky backdrop was replaced with a digital sky complete with ship traffic." (1997 change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. What was a fade into the next scene in 1977 was extended and turned into a wipe to a Special Edition scene in 1997. (1997 Change)* (not frame accurate)
In 1997, the top version of the CG Jabba model was inserted into a deleted scene and re-intergrated into the movie. The 2004 edition replaces the original model with a modified CG model of Jabba that was used in The Phantom Menance. (1997 Addition, 2004 Redo)
This shot of Han and Chewie was added to the Special Edition from a deleted scene. (1997 Addition)
Another example of the 1997 (top) vs 2004 (bottom) CG Jabbas. (1997 Addition, 2004 Redo)
Boba Fett was also added to the scene in 1997, using a new actor in a Boba Fett suit. (1997 top, 2004 bottom) (1997 Addition, 2004 Redo)
This shot of Chewie was added to the Special Edition from a deleted scene. This shot actually creates a continuity error as Chewie moved behind Han in the previous shot. (1997 Addition)
Another example of the 1997 (top) vs 2004 (bottom) CG Jabbas. In order to have Han walk around Jabba, they had to make him step on Jabba's tail. (1997 Addition, 2004 Redo)
The restored scene ends with the bluescreened Boba Fett glaring at the audience. (1997 Addition)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. This wipe transitions from a Special Edition scene, while the original was a fade from an earlier scene. (1997 Change)* (not frame accurate)
Because this fade was so fast, they were forced to re-time the previous scene (bottom) and make a straight cut to the hanger. (1997 Change)*
"The 1997 Special Edition release also added this exciting shot of the Millennium Falcon blasting away from Docking Bay 94." (1997 Addition)
"In the original 1977 version, the Falcon flies in a more-or-less straight line into the sky. The Special Edition added more movement to the ship, and added a camera tilt-up to follow its progress." There also seems to be some wire removal from the vaporators and added sky traffic. (1997 Change)
"The original 1977 shot of Alderaan had garbage matte effects artifacts in it, appearing as a hazy blue outline that surrounds the planet." This was fixed, however the movement of the planet coming into center frame was lost. (2004 Change)*
"The original Death Star laser blast was hand-animated to have jagged lightning-like fingers of energy surround Alderaan, which didn't scale convincingly. The Special Edition instead had the atmosphere ignite as it spread from the impact point." (1997 Change)
"The original jump-cut explosion was replaced with a blast that featured a shockwave ring and more properly scaled debris." (1997 Change)
To retain the original film quality, the lightsaber seems to have been recreated digitally, while the remote and board game creatures were digitally recomposited from their original elements. (1997 Change)*
"This scene benefited from improved compositing; the original 1977 version of the remote had a crude black outline that surrounded it." (1997 Change)
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. The remote was also digitally recomposited along with the impact blast from the original elements. The laser blast seems to be recreated digitally. Also notice that "the light shining on the ceiling strut (which is present in frames without the flash) was mistaken for "flash" and filled in with the effect. That shows that the clashes were, at least, altered by hand." -Treadwell (1997 Change)*
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. The remote was also digitally recomposited along with the impact blast from the original elements. The laser blast seems to be recreated digitally. (1997 Change)*
"Another view of the remote. Note the lack of black outline in the digitally composited shot on the bottom." (1997 Change)
To retain the original film quality, the lightsaber and laser blast seem to have been recreated digitally, while the remote and board game creatures were digitally recomposited from their original elements. (1997 Change)*
The remote was digitally recomposited to retain the image quality of the original film. The laser blast was also recreated digitally, but while it has color in the 1997 SE (middle), it has no color at all in the 2004 SE (bottom). (1997 Change/2004 Mistake)*
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. The laser blast seems to be recreated digitally.
The remote was digitally recomposited to retain the image quality of the original film. (1997 Change)*
The Falcon was recomposited to be closer to the Death Star in this shot. (1997 Change)*
"In 1997, the original matte painting of the Falcon was replaced with one that used a digital ship model as a foundation. Also, the Death Star hangar design was changed to match the one seen in Return of the Jedi." (1997 Change)
The door movement has been smoothed and slowed down. (1997 Change)*
Though hard to tell in a still image, the two circular lights in the matte painting on the right side of the shot are static in 1997/2004, but pulsated slowly in 1977 (they are at their dimmest point in the example). Also, the blocks of lights in the top right of the matte painting have been altered. (1997 Change)*
"In the 1997 Special Edition, a few of the more graphic blaster hits were trimmed by a few frames." The frames were replaced with additional frames of the previous shot. (1997 Change)
"The main tunnel on this set had a painted backing to make it appear it went on much further. Unfortunately, the perspective of the painting often did not match the camera angle, and in 2004 it was replaced with a digital set extension." (2004 Change)
More of the digital tunnel set extension. (2004 Change)
More of the digital tunnel set extension. Here, the compositing challenge was to blend the new element behind a non-bluescreened foreground character and have it match the lighting effect. (2004 Change)
More of the digital tunnel set extension. Here, the compositing challenge was to blend the new element behind a non-bluescreened foreground character. (2004 Change)
More of the digital tunnel set extension. Here, the compositing challenge was to blend the new element behind existing smoke by adding new smoke elements. (2004 Change)
More of the digital tunnel set extension. Here, the compositing challenge was to blend the new element behind a non-bluescreened foreground character as the camera moves to follow Leia across the hall. (2004 Change)
More of the digital tunnel set extension. Here, the compositing challenge was to blend the new element behind a non-bluescreened foreground character and existing smoke. (2004 Change)
"The original dianoga was enhanced in 2004 to feature a blinking and moving eye." (2004 Change)
"In 2004, the original English text on the tractor beam display was translated to Aurebesh, the Star Wars font." (2004 Change)
Another shot of the new Falcon matte. (1997 Change)*
"In 1997, this scene was enlarged with a digital matte set and bluescreen-photographed and replicated extras as stormtroopers and Imperial officer." Notice that the reflection of the original wall remains on the floor. (1997 Change)
The matte was digitally recomposited for the Special Edition. There is also a slight camera move that pans to the left now. (1997 Change)*
The matte was digitally recomposited for the Special Edition. The laser blast has also been moved to a few frames later. (1997 Change)*
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. The saber impact was also recomposited. (2004 Change)*
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. For some reason, Obi-wan's digitally recomposited lightsaber is purple in this shot. (2004 Change)*
"The lighting effect of the original lightsabers was dependent on a practical light source which would occasionally lose its glow if the 'saber prop was tilted a certain way." In this instance, it was given a glow in the 2004 version, but no core. This is also only one instance out of many that this happens, but is only "fixed" in this shot. (2004 Change)
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. The saber impact was also recomposited. It almost looks like the layers are backwards on this frame. (2004 Change)*
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. The saber impact was also recomposited. It almost looks like the layers are backwards in this frame. (2004 Change)*
The lightsaber glow element was recomposited digitally using the original element to keep the quality of the original film element for this scene. Note how Vader's glow is off in both versions. (2004 Change)*
"The original shot of Darth Vader did not have any color to his practical lightsaber prop. The red glow was added in 2004." (2004 Change)
"The original shot of Darth Vader did not have any color to his practical lightsaber prop. The red glow was added in 2004." (2004 Change)*
The original Falcon showed the engine with a full thrust even when it backs out of the docking bay, the SE changed it so it only has a full glow when finally taking off. The Millennium Falcon may be CGI in this shot. (1997 Change)*
"The approach to Yavin was replaced in 1997 with a more dynamic shot featuring the CG Falcon." (1997 Change)
"A CG Falcon was added to this scene of the Massassi temples to give the foreground Rebel sentry something to do, and to identify which temple the Rebel base is in." The shot has been reframed and a pan down was added to the beginning. (1997 Change)
"The 1977 matte painting of the Yavin temple was replaced with a more realistically detailed digital one, complete with slowly opening hangar door and a second speeder. The foreground plants are the same." (1997 Change)
The Death Star plans have been rescaled. (1997 Change)*
An alternate take of Luke walking to his X-wing was used in the Special Edition to tie into the Biggs additional scene. (1997 Change)*
"The original hangar painting had more impressionistic detail in the foreground Y-wing, which in the update featured a digital Y-wing fighter. Also improved was the color balance between the projected live action and painted set extensions." (1997 Change)
"The 1997 Special Edition reinserted this brief deleted scene between Luke, Biggs and Red Leader." It is modified by a wipe in the middle to remove references to Luke's father. (1997 Addition)
Alternate take of Biggs walking away and Luke climbing up to his cockpit used in 1997. *
"The Special Edition altered this shot of the Rebel fighters leaving Yavin 4, having more visible and realistic craft against a sky that properly depicts the gas giant behind the moon's clouds." While the sky was replaced, the forest has been flipped horizontally. "The foreground trooper and the forest were shot live together in Guatamala, so they would have had to roto him out, flip the forest and composite him back in where he originally was (while adding a totally CG sky plate)" - Zombie84 The light on the CGI fighters are coming from a different side than the light on the trooper (and probably the trees). (1997 Change)
"The Special Edition replaced two separate shots with an arcing camera move impossible to achieve with late '70s motion control. It reversed the order of the shots as well." Yavin IV was also added to the shot. (1997 Change) (not frame accurate)
The first shot from the 1977 version compared to the second part of the extended 1997 version. (1997 Change) (not frame accurate)
This shot was recomposited and the starfield replaced. (1997 Change)*
"The S-foil separation shot was enhanced to include a greater sense of forward motion." (1997 Change)
"This early dive shot was replaced with one that shows the Death Star's surface." (1997 Change)
"A stilted barrel roll from 1977 was replaced with a more fluid one in 1997." (1997 Change)
"By replacing the motion-control fighters in this shot, the CG ones get a closer run past the cannon emplacements." (1997 Change)
"This high altitude shot added more fighters as well as surface cannon fire." (1997 Change)
"Luke's flight through an explosion is much more dramatic in the 1997 revision of this shot." Notice that the background plate and sparks were flipped for the SE. (1997 Change)
"Red Five's barrel roll was redone to not only match screen direction in the following shot, but the tiny digital pilot in the cockpit also matches action to the next closeup of Luke." (1997 Change)
"John D has a TIE fighter latch onto his fighter in this shot, which is redone in the Special Edition." (1997 Change)
John D's fighter explosion has been recompositied against a different background (actually the same sections but running the other way). (1997 Change)*
"A rather languid and distant dogfight shot in 1977 was replaced and accelerated in the Special Edition." (1997 Change)
"What was largely a straight line in 1977 became more of a jinking, twisting evasion in 1997." (1997 Change)
"A three-way pursuit was made much more dynamic by having the camera pass closer to the digital fighters." (1997 Change)
"Limitations in motion-control meant the original 1977 shot followed more of a straight line at a distance." (1997 Change)
"The camera gets much closer to the CG version of the fighters, creating a much more dramatic shot." The CG fighters were added to the originally filmed background plate, interestingly enough. (1997 Change)
"Wedge's flight to the rescue is enhanced here." (1997 Change)
"In replacing this POV shot, the X-wing's light source now matches that of the canopy spokes." Luke also uses more dodging techniques and Wedge is visible flying closer. The canopy element has been retimed and has different lighting. (1997 Change)
"Rather than rushing straight into the TIE, the 1997 version of Wedge's fighter slides into frame first." (1997 Change)
"In the 1997 redo, Wedge's fighter boldly plunges through the exploding TIE fighter." Luke's fighter continues on in the background. (1997 Change)
Originally the Y-wing at the bottom of the frame disappeared. This was fixed in the 2004 edition. (2004 Change)*
"An example of improved compositing, Gold Two's death originally blotted out the background, as well as contained a number of garbage artifacts." (1997 Change)
"Gold Leader's destruction underwent improved compositing here. Note the black outlines in the 1977 footage." But now the explosion is purple... (1997 Change)
"The 1977 version had the approach of Red Leader and his wingman as two separate shots. The 1997 version replaced them with a single shot of all three fighters." (1997 Change)
The other replaced 1977 shot of Red Leader. (1997 Change)
This shot of the TIE Fighters has been zoomed in on, possibly to reduce the number of reused shots. (1997 Change)*
"Red Ten's destruction benefited from improved compositing." (1997 Change)
"Red Leader's pull-up featured a digital X-wing that flies closer to the explosion and sports interactive lighting across its fuselage." (1997 Change)
Red Leader saying that he just lost his starboard engine has been centered for the Special Edition. (1997 Change)*
This shot of the TIE Fighters heading for Luke, Biggs, and Wedge has been zoomed in on, possibly to reduce the number of reused shots. (1997 Change)*
"Another improved pyro composite, this time Biggs' destruction." (1997 Change)
This shot of Leia reacting to Biggs' death was reframed. (1997 Change)*
"Shots such as this were re-composited, allowing for a smoother blur in Luke's fast-moving hand, as opposed to the rigid cutout effect experienced in the 1977 version." (1997 Change)
"The smoke pouring from Artoo is better composited through digital means than photochemicals means, as seen here." (1997 Change)
"The display board in 1977 featured tiny type that said "YAVIN" in standard English lettering. This was replaced with Aurebesh text in 2004." (2004 Change)
The TIE to the left of frame is missing at the beginning of this shot for a few frames in both the original and 1997 Special Edition. It was added for the DVD. (2004 Change)*
"In 1997, the Falcon banked after eliminating Darth Vader, rather than just flying in a straight line." (1997 Change)
The torpedoes look like they have been recomposited for the Special Edition, as they are not as transparent and don't have the generational grain the original does. The also have more motion blur. (1997 Change)*
"The shot of these Rebel ships fleeing from the doomed Death Star was made more dynamic in 1997." (1997 Change)
"The Death Star explosion includes a massive shockwave added in 1997 in order to properly play up the scale of the blast." The blue ring artifact is only in the 2004 version. (1997 Change)
"The rather obvious matte painting soldiers in the foreground were replaced with digitally composited extras in 1997." Also the side pillars and window are different. (1997 Change)
The original footage freezes as the wipe starts, which the Special Edition continues until the wipe is complete. In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. This wipe transitions into the recreated Special Edition credits. (1997 Change)*
Frame stabilization. First few frames of shot warped, also the background seemed to vibrate pre-2004.. [see lights thru doorway] (2004 Change)
In order to retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. Also since landspeeder (side) shot was changed to be a few frames ahead. (1997 Change)
In order to incorporate new digital character and retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. (1997 Change)
Background has been darkened to isolate Greedo which explodes in the next few frames. (2004 Change)
In order to incorporate new Jabba the Hutt sequence and retain image quality by using the original negative, this wipe was redone optically by Pacific Titles. (1997 Change)
Death Star recompositioned. [See obscuring of star field on right side] (1997 Change)
Millennium Falcon's cockpit window mullions have been made less transparent. (1997 Change)
Blaster fire enhanced with core laser emerging from gun. (1997 Change)
Blaster fire redone. Shot is also extended to cover the removal of the Officer getting shot. (1997 Change)
Blaster fire enhanced. [wider with pointy front edge] (1997 Change)
Leia blasting the garge chute grate has new animation showing deformation. (2004 Change)
Blasted garbage chute grate metal endings now appear melted. (2004 Change)
Shot is either shifted a few frames, or at the beginning it is zoomed in originally. (1997 Change)
Vertical line on right side through whole shot, fixed. (2004 Change)
Shot shortened to accommodate previous shots (TIE explosion) extension. (1997 Change)
Massassi outpost table showing planets and approaching Death Star was been changed to blue. [blue is not seen in side shots] (2004 Change)
Garbage matte removal. (1997 Change) Shot contains Humdinger frame error. (2004 Change) Humdinger frame error removed. (2011 Change)
Last three frames of shot had higher exposed line thru Luke's face, fixed. (2004 Change)
Garbage matte fixed. (1997 Change) Frame rip fixed. [see lower Y-Wing engine] (2004 Change)
Large star, middle left lower third, got removed. (2004 Change)
One frame horizontal over exposure line removed. (2004 Change)
Laser fire redone. (1997 Change)
Left frame object (hair) removed from full shot. (2004 Change)
Vader's TIE's laser fire enhanced. (2004 Change)
Added 'Executive Producer GEORGE LUCAS' credit. (1997 Change)
Added 'JAMES EARL JONES as the voice of Darth Vader' to credits. (1997 Change)
Moved 'Original Music' to first line. (1997 Change)
Added 'SPECIAL EDITION' category to credits. (1997 Change)
Added 'INDUSTRIAL LIGHT AND MAGIC' category to credits. (1997 Change)