"And silence is made." http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html ; http://akermariano.blogspot.com/2010/11/art-lectures.html ; http://im-akermariano.blogspot.com/2010/11/artistic-imagination.html ; http://akermariano.blogspot.com/2011/05/crudelitas.html ; http://documenta-akermariano.blogspot.com/2012/02/architecture.html
Lamasu. Human-headed winged bull facing. Bas-relief from King Sargon II's palace at Dur Sharrukin in Assyria (now Khorsabad in Iraq), c. 713–716 BCE. | Taureau androcéphale ailé tourné de face. Bas-relief du palais bâti par Sargon II à Dur Sharrukin, en Assyrie (actuelle Khorsabad, Iraq), v. 713–716 av. J.-C. Musée du Louvre, Paris http://im-akermariano.blogspot.com/2011/06/sacred-hybrid.html
Assyrian-Babylonian demon http://im-akermariano.blogspot.com/2010/10/books-grotesque.html → http://akermariano.blogspot.com/2010/11/ap.html
Silenus, after a classical theater mask http://im-akermariano.blogspot.com/2010/10/books-grotesque.html
Mariano Akerman, Plate relating hybrid motifs to Horace's lines in Ars Poetica, 2008 http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Roman painting. View of the cryptoporticus with illusionistic candelabra and figures from the Domus Aurea (Golden House of Nero), Rome (German Archaeological Institute, Rome). http://im-akermariano.blogspot.com/2011/07/domus-aurea.html
Roman mosaic from Carthage, Tunisia. Bardo Museum, Tunis http://im-akermariano.blogspot.com/2011/02/viva-la-mezcla.html
Roman mosaic from Carthage, Tunisia. Bardo Museum, Tunis Sacred Hybrid, http://im-akermariano.blogspot.com/2011/06/sacred-hybrid.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
The Green Man in a medieval wood misericord http://im-akermariano.blogspot.com/2010/10/books-grotesque.html
Grotesque medieval gargoyle on a French building http://im-akermariano.blogspot.com/2010/10/books-grotesque.html → http://akermariano.blogspot.com/2010/11/ap.html
A monstrous race: blemmyae. Medieval manuscript illumination http://im-akermariano.blogspot.com/2010/10/books-grotesque.html
French Medieval Gargoyle http://im-akermariano.blogspot.com/2010/10/books-grotesque.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Medieval sculpture: a toad-gargoyle http://im-akermariano.blogspot.com/2010/10/books-grotesque.html
Grotteschi or grotesques in candelabrum arrangement. Italian mural painting. Fresco http://im-akermariano.blogspot.com/2010/10/books-grotesque.html ; http://im-akermariano.blogspot.com/2010/11/artistic-imagination.html ; http://im-akermariano.blogspot.com/2010/12/grotesques-larousse.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html ; http://im-akermariano.blogspot.com/2011/03/grotteschi.html
Giovanni da Udine (1487-1564), Grotesques (Grotteschi/Grottesche), 1516-17. Fresco detail. Loggeta of Cardinal Bibbiena, Vatican Palace http://im-akermariano.blogspot.com/2011/03/grotteschi.html
Grotteschi. Assorted Italian Rennaisance Grotesques: Grottesca. Research online via Google and Digital Montage of Images by Mariano Akerman, 21.3.2011 http://im-akermariano.blogspot.com/2011/03/grotteschi.html ; http://im-akermariano.blogspot.com/2011/03/la-grottesca.html ; http://im-akermariano.blogspot.com/2011/07/domus-aurea.html ; http://hola-akermariano.blogspot.com/2011/08/arte.html ; http://akermariano.blogspot.com/2012/03/bridging-cultures.html ; http://hola-akermariano.blogspot.com/2012/03/puente-entre-culturas.html
Marco Dente (after Raphael), Grotesque, ornamental engraving, early 16th century http://im-akermariano.blogspot.com/2011/03/grotteschi.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Grotteschi, fresco, late-16th century. Galleria degli Uffizi, Florence http://im-akermariano.blogspot.com/2010/12/grotesques-larousse.html ; http://im-akermariano.blogspot.com/2011/03/grotteschi.html
Marco da Faenza, Decorazione grottesca (detail), late-16th century, Palazzo Vecchio, Florence (Ugo Muccini and Alessandro Cecchi: Le Stanze del Principe in Palazzo Vecchio). http://im-akermariano.blogspot.com/2011/03/la-grottesca.html
Giulio Parigi, A Grotesque Head, fresco ceiling detail, 1599-1600. Stanzino delle Matematiche, Uffizi, Florence. http://im-akermariano.blogspot.com/2010/10/books-grotesque.html
A grotesque motif from a mannerist engraving http://im-akermariano.blogspot.com/2010/10/books-grotesque.html ; http://akermariano.blogspot.com/2010/11/paradox.html ; http://im-akermariano.blogspot.com/2010/12/grotesques-larousse.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
François Desprez, Les songes drolatiques de Pantagruel, Paris: Richard Breton, 1565 http://im-akermariano.blogspot.com/2010/10/books-grotesque.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Giuseppe Arcimboldo, Water, 1566. Oil. Kunsthistorisches Museum, Vienna http://im-akermariano.blogspot.com/2010/10/books-grotesque.html → http://akermariano.blogspot.com/2010/11/ap.html
Giuseppe Arcimboldo, Vertumnus, oil (detail), 1590. Skokloster Castle, Sweden http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Arcimboldo-inspired composite head known as "Reversible Head with Basket of Fruit." http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
Arcimboldo-inspired Winter. Private collection, New York. Courtesy of Pandora Old Masters, New York http://im-akermariano.blogspot.com/2010/10/books-grotesque.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
acques Callot, Razullo & Curucucu, from Balli di Sfessania, etching, 1621-22. Bibliothèque Nationale, Paris http://im-akermariano.blogspot.com/2011/03/jacques-callot.html
Joos van Craesbeeck, The Temptation of St. Anthony, 1650 http://im-akermariano.blogspot.com/2011/02/viva-la-mezcla.html
Jean-Jacques Lequeu, Grotesques, 1786. Dessins | Sketches | Bocetos. BNF, Paris. Composition: Mariano Akerman Pour des buts éducatifs seulement | For educational use only | Fines exclusivamente educativos http://im-akermariano.blogspot.com/2011/07/lequeu.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Francisco de Goya, "El sueño de la razón produce monstruos," Capricho nº 43, aguafuerte, 1799. Biblioteca Nacional de España, Madrid http://im-akermariano.blogspot.com/2010/10/goya.html ; http://hola-akermariano.blogspot.com/2011/08/discurso.html
Composition with Hybrid Beings, painted porcelain panel (after a design by Lucas van Leyden), England, 1865, Victoria & Albert Museum, London http://im-akermariano.blogspot.com/2009/03/painters-and-poets.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Gustave Doré (1832-1883), The Works of Rabelais, 1894, prologue. http://im-akermariano.blogspot.com/2011/02/ligeras-desproporciones.html ; http://im-akermariano.blogspot.com/2011/06/deja-vu.html
Gustave Doré (1832-1883), "Pantagruel," Garganuúa et Pantagruel (François Rabelais, 1532-53), Œuvres de Rabelais, Paris: Garnier Frères, 1873, 2, 4, 35. http://im-akermariano.blogspot.com/2011/02/ligeras-desproporciones.html
Gustave Doré (1832-1883), "Gargantua," Gargantua et Pantagruel (François Rabelais, 1532-53), Œuvres de Rabelais, Paris: Garnier Frères, 1873, I, 22. http://im-akermariano.blogspot.com/2011/02/ligeras-desproporciones.html
Gustave Doré (1832-1883), The Works of Rabelais, 1894, 1, 1, 43. http://im-akermariano.blogspot.com/2011/02/ligeras-desproporciones.html
Gustave Doré (1832-1883), "Gargantua," Gargantua et Pantagruel (François Rabelais, 1532-53), Œuvres de Rabelais, Paris: Garnier Frères, 1873, I, 1, 38. http://im-akermariano.blogspot.com/2011/02/ligeras-desproporciones.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Grandville, Cabinet d'Histoire Naturelle | Gabinete de Ciencias Naturales), litograph, 1833 http://im-akermariano.blogspot.com/2011/02/alexander-ovchinnikov.html
Philippe Wolfers, Dragonfly, jewelry, c.1900 http://akermariano.blogspot.com/2012/03/discovering-belgian-art.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
"Grotesque Figures Carved on Modern Skyscrapers," Popular Science Monthly, October 1933, p. 20 http://im-akermariano.blogspot.com/2011/03/popular-science.html
"Grotesque Figures Carved on Modern Skyscrapers," Popular Science Monthly, October 1933, p. 21 http://im-akermariano.blogspot.com/2011/03/popular-science.html
Neue Sachlichkeit. Georg Scholz, Industriebauern | Industrial Farm Family, oil and collage on wood, 1920. Von der Heydt-Museum, Wuppertal http://im-akermariano.blogspot.com/2010/10/books-grotesque.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://documenta-akermariano.blogspot.com/2011/10/new-objectivity.html
Hans Bellmer, Doll, 1936 (cast in 1965). Painted aluminum on bronze base, 66 x 25.4 x 27.9 cm. Zwirner & Wirth, New York http://im-akermariano.blogspot.com/2010/12/uncanny.html ; http://documenta-akermariano.blogspot.com/2011/08/1.html
Francis Bacon, detail from "Three Studies for Figures at the Base of a Crucifixion," 1944. Triptych. Oil on board. Tate Gallery, London http://im-akermariano.blogspot.com/2009/03/ortega-y-gasset-sobre-la-metafora.html ; http://mariano-akerman.blogspot.com/2010/12/writings-online-index.html
Two slightly different women: one in academic style (Bouguereau, Baigneuse, 1890); the other conceived as "art brut" (Dubuffet, La Coiffeuse, 1950). http://im-akermariano.blogspot.com/2011/06/jean-dubuffet.html ; http://documenta-akermariano.blogspot.com/2011/06/postwar-figural-art.html
Louise Bourgeois, Janus fleuri, 1968. Bronze and golden patina, h: 25.7 x w: 31.8 x d: 21.3 cm. Collection of the artist http://im-akermariano.blogspot.com/2010/12/uncanny.html ; http://documenta-akermariano.blogspot.com/2011/08/1.html
Roberto Fontanarrosa, "If there's something we should discard... that's sterility," c. 1982 http://www.flogup.com/akermariano/826009
A contemporary grotesque, c. 2004 http://im-akermariano.blogspot.com/2010/10/books-grotesque.html
H.R. Giger, Necronomicon IV, 1977 http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
H.R. Giger, Alien, 1977-78 http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
H.R. Giger, Alien the 8th Passenger, 1979 http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
Till Nowak, Salad, A Tribute to H.R. Giger and Giuseppe Arcimboldo, 3D animation, 2006. Siggraph Art Gallery http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
Till Nowak, Salad (detail), 3D animation, 2006. Siggraph Art Gallery http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
Till Nowak, I can't smile without you, 3D Photoshop, 2005 http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
Till Nowak, The Shaved Bumblebee, 3D Photoshop, 2005 http://im-akermariano.blogspot.com/2010/10/as-you-like-it.html
Anonymous, Just don't expect it to roar, 2006. http://im-akermariano.blogspot.com/2009/03/painters-and-poets.html → http://linnaeus.blogster.com/rara-avis-means-extraordinary ; http://akermariano.blogspot.com/2010/11/art-lectures.html ; http://akermariano.blogspot.com/2010/11/paradox.html ; http://akermariano.blogspot.com/2011/06/linnaeus.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Santos Maschen, Dragón (Porteño filete), 2005 http://im-akermariano.blogspot.com/2009/11/arte-grotesco.html → http://www.flickr.com/photos/akermariano/2217599165 ; http://im-akermariano.blogspot.com/2010/12/grotesques-larousse.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Raffaele Palma, Alfabeto grottesco, 2007. Centro Arti Umoristiche e Satiriche, Torino (Norberto Tosetti). Ref. Alfabeti: mascheroni grotteschi http://im-akermariano.blogspot.com/2011/03/grotteschi.html
Kris Kuksi, Limbo, drawing, 2007 http://im-akermariano.blogspot.com/2011/04/kris-kuksi.html
Hombre-Árbol (Fremont, Seattle, 2007), adaptación digital libre de Mariano Akerman, 2008 http://im-akermariano.blogspot.com/2011/06/arbol-hombre.html Kim Graham, Man-Tree (Jotuntre, Norwegian King of the Trees), 2007. Recycled materials sculpture built for the Fremont Solstice Parade, Seattle, June 2007; digital image, after photograph, with background modified. Mascarade: Somewhere between the Mask and the Face, http://im-akermariano.blogspot.com/2011/07/masquerade.html Empathy, http://documenta-akermariano.blogspot.com/2011/08/empathy.html
Tree-Man, digital image, 2008 Viva la mezcla, http://im-akermariano.blogspot.com/2011/02/viva-la-mezcla.html
Jennifer Linton, "P" from My Alphabet Book of Anxieties & Desires, 2008 http://im-akermariano.blogspot.com/2010/12/uncanny.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Thomas Mangold „Aus einer Mücke eine Elefanten machen” To make an elephant out of a mosquito, 2010 photograph and computer graphic design Artist's remark: "If you rearrange reality and/or approach it in a new and unfamiliar angle there are endless possibilities to create stunning stuff." http://im-akermariano.blogspot.com/2011/08/1.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Mirino, Humpty-Dumpty, drawing, 2011 http://im-akermariano.blogspot.com/2011/06/humpty-dumpty.html
Vincent van Gogh, Wheat Field with Cypresses | Trigal con cipreses, 1889. Oil on canvas, 73 x 93.4 cm http://im-akermariano.blogspot.com/2009/03/ortega-y-gasset-sobre-la-metafora.html ; http://documenta-akermariano.blogspot.com/2011/06/vincent-van-gogh.html
Francis Bacon, Seated Figure, 1989. Oil on canvas. The Estate of Francis Bacon, London http://im-akermariano.blogspot.com/2009/03/ortega-y-gasset-sobre-la-metafora.html ; http://mariano-akerman.blogspot.com/2010/12/writings-online-index.html ; http://documenta-akermariano.blogspot.com/2011/08/1.html
Alejandro Xul Solar, Una pareja, acuarela, 1923, MALBA. Repr. Ideal Sánchez, Aída Carballo, Juan Carlos Castagnino, Técnicas de la pintura, Buenos Aires: Centro Editor de América Latina, 1976, p. 83 http://im-akermariano.blogspot.com/2009/03/ortega-y-gasset-sobre-la-metafora.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html ; http://akermariano.blogspot.com/2010/11/art-lectures.html ; http://migrante-akermariano.blogspot.com/2011/11/buenos-aires.html
Roberto Aizenberg, Painting (Pintura), 1985. Oil on canvas, 86 x 57 cm. Museo Nacional de Bellas Artes, Buenos Aires http://im-akermariano.blogspot.com/2009/03/kafka.html ; http://im-akermariano.blogspot.com/2010/12/uncanny.html
Franz Kafka, Die Verwandlung, Leipzig: K. Wolff 1915-16. Illustration by Ottomar Starke, 1915 http://im-akermariano.blogspot.com/2009/03/kafka.html
Franz Kafka (1882-1924), photograph taken in 1906 http://im-akermariano.blogspot.com/2009/03/kafka.html
Alberto Giacometti, L’Homme qui marche II | Walking Man | Man Striding, bronze, 1960, Fondation Maegth, Saint-Paul de Vence http://im-akermariano.blogspot.com/2009/03/kafka.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html → http://akermariano.blogspot.com/2010/11/ap.html ; http://documenta-akermariano.blogspot.com/2011/06/waiting-for-godot.html ; http://documenta-akermariano.blogspot.com/2011/06/alberto-giacometti.html ; http://documenta-akermariano.blogspot.com/2011/08/1.html ; http://im-akermariano.blogspot.com/2012/02/fear-factor.html
Mariano Akerman, Prickly Matters I (Grams 453 Living Matter), collage, 2009 http://im-akermariano.blogspot.com/2009/03/ts-eliot-hollow-men-1925.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html
Mariano Akerman, Prickly Matters II (Grams 453 Living Matter), collage, 2009 http://im-akermariano.blogspot.com/2009/03/ts-eliot-hollow-men-1925.html
Kris Kuski, A Heroic Abduction, mixed media assemblage, detail, 2010 http://im-akermariano.blogspot.com/2011/04/kris-kuksi.html
Mariano Akerman, 'Potamus, digital art, 2009 http://im-akermariano.blogspot.com/2009/03/ts-eliot-hippopotamus-1925.html
"As I told you: that itching had to be the result of a mushroom." Fontanarrosa. http://im-akermariano.blogspot.com/2009/03/fontanarrosa.html
Woman: "And give me half a kilo of lungs." Butcher: "Is it for the cat?" Woman: "No. The cat we ate yesterday." Fontanarrosa. http://im-akermariano.blogspot.com/2009/03/fontanarrosa.html
"Oh-oh... I suppose we've touched a little vein..." Fontanarrosa - http://im-akermariano.blogspot.com/2009/03/fontanarrosa.html
Carlos Nine, Keko el Mago, Buenos Aires: Colihue, 1996. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Fantagas-Siboney, Paris: Delcourt, 1995. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Metro mural detail, Buenos Aires. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Illustration #17. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Gráfica infantil #8. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Pampa, Paris: Dargaud, 2003-5. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Fantagas-Siboney, Paris: Les Rêveurs, 2008. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Gesta Dei, Buenos Aires: El Yeite Ilustrado, 2003. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Carlos Nine, Le canard qui aimait les poules, Paris: Albin Michel, 1999. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, It was a Dark & Silly Night, New York: Harper Collins, 2003. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Fantagas, Paris: Delcourt, 1995. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, El patito Saubón, 1999. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Illustration #37. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Fantagás, 1995. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Meurtres et châtiments (Crímenes y castigos), Paris: Albin Michel, 1991. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Illustration #10. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Gráfica infantil #3. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Hommage à l’arrière-cour, Paris: Rackham, 2008. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Colored Relief #2. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html ; http://im-akermariano.blogspot.com/2010/11/artistic-imagination.html ; http://im-akermariano.blogspot.com/2010/12/uncanny.html
Carlos Nine, Hommage à l’arrière-cour, Paris: Rackham, 2008. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Carlos Nine, Illustration #35. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
Carlos Nine, Illustration #5. http://im-akermariano.blogspot.com/2009/03/carlos-nine.html
© Quino. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html
Quino, ¡Cuánta bondad!, Buenos Aires: Ediciones de la Flor, 1999. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html
Quino, Yo bien, ¿y usted?, Buenos Aires: Ediciones de la Flor, 1998. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html
Quino, Un présent imprésentable, Grenoble: Éditions Glénat, 2004. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html
Quino, ¡Qué presente impresentable!, Buenos Aires: Ediciones de la Flor, 2004. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html ; http://hola-akermariano.blogspot.com/2012/01/similitudes.html
© Quino. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html ; http://documenta-akermariano.blogspot.com/2011/06/waiting-for-godot.html
Quino, Potentes, prepotentes e impotentes, Buenos Aires: Ediciones de la Flor, 1989. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html
Quino (Joaquín Salvador Lavado), Sin título (Látigo al barrilete) → http://knol.google.com/k/arte-argentino, #22 ; http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://migrante-akermariano.blogspot.com/2011/11/buenos-aires.html
© Quino. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html ; http://jdv-akermariano.blogspot.com/2011/02/buenos-aires.html
© Quino. http://im-akermariano.blogspot.com/2009/04/el-humor-de-quino.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://documenta-akermariano.blogspot.com/2011/06/waiting-for-godot.html
A curate's egg. George du Maurier, "True Humility," Punch, 9 November 1895. http://im-akermariano.blogspot.com/2009/05/curates-egg-wikipedia.html
John Tenniel, Humpty-Dumpty, from Alice's Adventures in Wonderland and Through the Looking-Glass, 1865. http://im-akermariano.blogspot.com/2009/05/curates-egg-wikipedia.html ; http://migrante-akermariano.blogspot.com/2011/11/london.html
Mariano Akerman, Freebolitus, 2009. http://im-akermariano.blogspot.com/2009/07/ser-sin-suenos.html
Marko Mäetamm, Playground, 2006. Watercolor on paper, 21 x 29 cm. Nettie Horn Gallery, London. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House, oil on canvas, 2004. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #1, oil on canvas, 2004. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #5, 2004. Oil on canvas, 70 x 80 cm. Nettie Horn, Londres. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #3, oil on canvas, 2004. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #4, oil on canvas, 2004. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #7, oil on canvas, 2004. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #2, oil on canvas, 2004 http://im-akermariano.blogspot.com/2009/09/todo-bien.html ; http://akermariano.wordpress.com/2011/11/28/art-and-ethics/ ; http://documenta-akermariano.blogspot.com/2012/02/architecture.html
Marko Mäetamm, Bleeding House #4, oil on canvas and text, 2004. Rotermann Salt Storage Art Center Show, Tallinn 2005. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Marko Mäetamm, Bleeding House #6, oil on canvas, 2004. http://im-akermariano.blogspot.com/2009/09/todo-bien.html
Julia deVille, Cat Rug, detail, 2008 http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Four works by Julia deVille, showing a strange mixture of taxidermy and jewelry. http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
A view of Cineraria, the 2009 solo show held by Julia deVille in Melbourne http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Silver Rook http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Silver Rook, detail. http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
DeVille, Stillborn Angel http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Michel Mosyn of Amserdam, Cartouche in Auricular Style, 17th century http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Infant Funerary Urn, 2009 http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Anatomy of a Rabbit, 2008 http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Anatomy of a Rabbit, detail, 2008 http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Sparrow Brooch http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Bird Pin http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Ring of Bones http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Cat Rug, 2008. http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html ; http://hola-akermariano.blogspot.com/2011/06/experimental.html ; http://akermariano.wordpress.com/2011/11/28/art-and-ethics/
Julia deVille, Black Beauty, 2008 http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Cinerarium, c. 2008-9 http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html ; http://akermariano.blogspot.com/2010/11/ap.html
Julia deVille, Claw Brooch with Pearl http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Claw Brooch with Rose http://im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Julia deVille, Cineraria, 2009 im-akermariano.blogspot.com/2011/12/long-life-to-death.html ; http://im-akermariano.blogspot.com/2009/09/viva-la-muerte.html
Ad Reinhardt, Dialogue, from "A Page of Jokes," cartoon detail, 1946 http://im-akermariano.blogspot.com/2009/10/any-other-questions.html ; http://akermariano.blogspot.com/2010/11/paradox.html
Goya y Lucientes, Los Caprichos, #41: "Ni mas ni menos" (Neither more nor less), aquatint, 1799. http://im-akermariano.blogspot.com/2009/10/any-other-questions.html → http://akermariano.blogspot.com/2010/11/ap.html
Ad Reinhardt, Representation, detail from "How to look at an Artist." http://im-akermariano.blogspot.com/2009/10/any-other-questions.html
Franz von Stuck (1863-1928), Medusa. Head version. http://im-akermariano.blogspot.com/2009/11/best-regards-to-medusa.html
Patricia Piccinini, The Young Family, 2002. Australia, We Are Family, 2003. http://im-akermariano.blogspot.com/2009/11/best-regards-to-medusa.html ; http://im-akermariano.blogspot.com/2010/12/uncanny.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Matt and Sophie Nice, Hybrid Collection Wallpaper, London, 2007. http://im-akermariano.blogspot.com/2009/11/best-regards-to-medusa.html ; → http://akermariano.blogspot.com/2010/11/ap.html ; http://hola-akermariano.blogspot.com/2012/01/similitudes.html
Mandee Gage, New Order, mixed media sculpture, 2008. http://im-akermariano.blogspot.com/2009/11/best-regards-to-medusa.html
Vishnu Narashana - The Standing Vishnu. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
A Hindu Deity. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html
An European engraving featuring Brahma. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html
Durga killing the Demon. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html
Ganesha. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Hanuman, with Rama and Sita inside His Chest. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Kali steping on Shiva. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Krishna having played the flute for Rhada http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Laxmi http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Rama, with Sita, Lakshmana and Hanuman. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Saraswati. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Shiva riding Nandi. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Trimurti: Brahma, Vishnu, and Shiva. http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html SantaBanta
Vishnu surrounded by Worlds http://im-akermariano.blogspot.com/2009/11/hindu-divinities.html ; http://jdv-akermariano.blogspot.com/2011/07/kerala.html ; http://documenta-akermariano.blogspot.com/2011/07/padmanabha.html
Grottesche alla antica | Grutesco | Grotesque. http://im-akermariano.blogspot.com/2009/11/arte-grotesco.html ; http://im-akermariano.blogspot.com/2010/12/grotesques-larousse.html ; http://im-akermariano.blogspot.com/2011/03/grotteschi.html ; http://im-akermariano.blogspot.com/2012/03/ars-poetica.html
Ramón del Valle-Inclán, Luces de Bohemia, 1920-4. José María Rodero y Carlos Lucena, en los papeles de Max Estrella y don Latino. Dirección de Lluís Pasqual. http://im-akermariano.blogspot.com/2009/11/arte-grotesco.html
Mamá Cora (Antonio Gasalla), Esperando la carroza, film, Argentina, 1985. http://im-akermariano.blogspot.com/2009/11/arte-grotesco.html
Clasicismo grotesco: El calato con el león o "El esperpento" en Bellavista, España, 2001-2. Posiblemente Androcles y su mejor amigo. http://im-akermariano.blogspot.com/2009/11/arte-grotesco.html
Elvira (China Zorrilla), Esperando la carroza, film, Argentina, 1985. http://im-akermariano.blogspot.com/2009/11/arte-grotesco.html
Cover of Ewa Kuryluk's Salome and Judas in the Cave of Sex, including an image by Aubrey Beardsley and a pattern consisting of relatively mild grotesque motifs.
Liliana Slarner, Planta-Cisne, ornamento (filete porteño), esmalte sintético sobre madera, 2007. http://im-akermariano.blogspot.com/2009/12/slarner.html
Sergio Menasché, Filetes porteños, 2010. Analytic plate by Mariano Akerman http://im-akermariano.blogspot.com/2011/02/fileteando-el-ornato.html
Salvador Dali, The Enigma of William Tell, 1933, oil on canvas, 346 x 201.5cm. Moderna Museet, Stockholm. http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html
Francis Bacon, Figure with Meat (Head surrounded by Sides of Beef), 1954, oil on canvas, 129.9 cm × 121.9 cm, Art Institute of Chicago. http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html ; http://im-akermariano.blogspot.com/2010/12/uncanny.html
Al-Buraf Hafifa, Buraq, reproduction of a moghol miniature, India, 17th century. http://im-akermariano.blogspot.com/2009/11/buraq.html
Mike Spix, Pakistani Truck Rear II, photograph, road from Islamabad to Lahore, c. 2008. http://im-akermariano.blogspot.com/2009/11/buraq.html ; http://migrante-akermariano.blogspot.com/2011/11/lahore-pakistan.html ; http://mariano-akerman.blogspot.com/2012/03/ak.html ; http://hola-akermariano.blogspot.com/2012/05/blue-chip-magazine.html
Pakistani decorated truck rear, with the Buraq. http://im-akermariano.blogspot.com/2009/11/buraq.html ; http://migrante-akermariano.blogspot.com/2011/11/karachi.html
Sultan Muhammad, Miraj (Muhammad's Ascent), detail from Khamsa of Nizami, Tabriz, 1539-43. British Library, London. http://im-akermariano.blogspot.com/2009/11/buraq.html
Sultan Muhammad, Miraj (Muhammad's Ascent), from Khamsa of Nizami, Tabriz, 1539-43. British Library, London. http://im-akermariano.blogspot.com/2009/11/buraq.html
Amir Khosrov Dihlevi, Muhammad’s Ascension on Burak, The History of Khyzr-Khan, Bukhara, 1598, MS SPL, PNS 276, f. 8b. http://im-akermariano.blogspot.com/2009/11/buraq.html
Reimerich Kinderlieb (Heinrich Hoffmann), Slovenly Peter, Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren, Frankfurt Literarische Anslat, 1845. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
© Bob Staake, digital illustration to Cruel Frederick (Heinrich Hoffmann, Struwwelpeter, 1844), USA, 2005. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, Pauline and the Matches (Der Struwwelpeter), Baden, 1858. Ahrenhof Collection, Vienna. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
© Bob Staake, digital illustration to Pauline and the Matches I (Heinrich Hoffmann, Struwwelpeter, 1844), USA, 2005. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
© Bob Staake, digital illustration to Pauline and the Matches II (Heinrich Hoffmann, Struwwelpeter, 1844), USA, 2005. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, The Inky Boys (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), 1858. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, The Wild Huntsman's Tale (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), 1858. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
© Bob Staake, illustration to The Thumb Sucker (Heinrich Hoffmann, Struwwelpeter, 1844), USA, 2005. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, The Thumb Sucker (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), 1858. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, Augustus who would not eat (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), 1858. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, Fussy Philip (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), 1858. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, Hanns stare in the air (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), 1858. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, Flying Robert (Der Struwwelpeter oder Lustige Geschichten und drollige Bilder für Kinder von 3–6 Jahren), Frankfurt, 1881. Salzburg Museum. http://im-akermariano.blogspot.com/2009/12/hoffmann.html
Heinrich Hoffmann, Slovenly Peter (Der Struwwelpeter), Baden, 1858. Ahrenhof Collection, Vienna. http://im-akermariano.blogspot.com/2009/12/hoffmann.html ; http://akermariano.blogspot.com/2010/12/german-art-2.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Elvio Gervasi, Fileteado porteño, Gardel esquina Anchorena, Abasto, Buenos Aires, Argentina (Roberto Fiadone). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html
Elvio Gervasi, Fileteado porteño, Abasto, Buenos Aires, Argentina (Roberto Fiadone). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html
Elvio Gervasi, Fileteado porteño: pajarito y dragón, Abasto, Buenos Aires, Argentina (Roberto Fiadone). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html
© Elvio Gervasi, Fileteado porteño: dragón-cornucopia, Abasto, Buenos Aires, Argentina http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html ; http://mariano-akerman.blogspot.com/2010/12/writings-online-index.html ; http://jdv-akermariano.blogspot.com/2011/02/buenos-aires.html
Elvio Gervasi, Fileteado porteño: ave en flor, Abasto, Buenos Aires, Argentina (Roberto Fiadone). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html
Elvio Gervasi, Fileteado porteño: cinta-planta, Abasto, Buenos Aires, Argentina (Jac Salgado). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Elvio Gervasi, Fileteado porteño: cinta-acanto, Abasto, Buenos Aires, Argentina (Jac Salgado). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html
Elvio Gervasi, Fileteado porteño: pajarito en flor, Abasto, Buenos Aires, Argentina (Roberto Fiadone). http://im-akermariano.blogspot.com/2009/12/elvio-gervasi.html ; http://im-akermariano.blogspot.com/2011/03/grotteschi.html
Basil Wolverton, Lena the Hyena, ink on paper, 1946 http://im-akermariano.blogspot.com/2009/12/fealdad.html ; http://akermariano.blogspot.com/2010/11/ap.htm ; http://im-akermariano.blogspot.com/2009/12/ugliness.html
Chachi Verona, "El perro que prefería ser gato", ilustración para "El chancho limpio", Buenos Aires, Sudamericana, 2001. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, "La nena que quería ser perro", ilustración para "El chancho limpio", Buenos Aires, Sudamericana, 2001. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, "El chancho limpio", ilustración para el libro "El chancho limpio", Buenos Aires: Sudamericana, 2001, tapa. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, Juanita, c. 2003. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 5. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 6. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 3. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 16. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 4. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 1. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 3. http://im-akermariano.blogspot.com/2010/03/verona.html ; http://im-akermariano.blogspot.com/2011/02/grotesque.html
Chachi Verona, ilustración para El surmenage de la muerta, año 2, no. 6, Buenos Aires, diciembre 2002, p. 2. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, Argentina '78. http://im-akermariano.blogspot.com/2010/03/verona.html
Chachi Verona, Calma. http://im-akermariano.blogspot.com/2010/03/verona.html
Javier Inga, The Lie Covered, Argentina, 2008 http://im-akermariano.blogspot.com/2011/01/javier-inga.html ; http://akermariano.blogspot.com/2011/03/comsats.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html ; http://hola-akermariano.blogspot.com/2011/04/arte-hispanoamericano.html ; http://hola-akermariano.blogspot.com/2011/08/ciclo.html
Javier Inga, Envy, Argentina, 2008 http://im-akermariano.blogspot.com/2011/01/javier-inga.html ; http://documenta-akermariano.blogspot.com/2011/01/gallegos.html ; http://akermariano.wordpress.com/2011/11/28/art-and-ethics/ ; http://documenta-akermariano.blogspot.com/2012/03/stigma.html
Javier Inga, Nature, Argentina, 2008 http://im-akermariano.blogspot.com/2011/01/javier-inga.html Flower: "What? You take the best of mine... and leave me?"
Javier Inga, Prejudice, Argentina, 2009 http://im-akermariano.blogspot.com/2011/01/javier-inga.html ; http://documenta-akermariano.blogspot.com/2011/01/estereotipo.html Ref. Mixed marriage. The Queen: "It's nothing personal honey, we only believe your boyfriend does not suit our stylelife."
La joie de vivre, http://jdv-akermariano.blogspot.com/
Asterisk, http://akermariano.blogspot.com/
No se puede vivir sin amor | On ne peut pas vivre sans amour You cannot live without love. http://hola-akermariano.blogspot.com/
Enthusiastic Despair, http://fb-akermariano.blogspot.com/
Documenta, http://documenta-akermariano.blogspot.com/
Jean-Michel Folon, Jour et Nuit, aquarelle http://akermariano.blogspot.com/2012/03/discovering-belgian-art.html