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Michelangelo Buonarroti (1475-1564), Study for Ignudo. Red chalk. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html ; http://hola-akermariano.blogspot.com/2011/08/casa-argentina.html ; http://akermariano.blogspot.com/2012/03/casa-argentina.html

Michelangelo Buonarroti (1475-1564), The Battle of Cascina (1504), copy by Sangallo after the lost original, 1542. Holkham Hall, Norfolk. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

A seated male nude twisting around, drawing after Michelangelo's Battle of Cascina (1504). http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), Studies for Nude Men (One kneeling and three seated), Rome, 1508. Leadpoint and pen and brown ink, 18.8 x 24.5 cm. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), A male torso (ignudo), 1508. Greasy black chalk, 18.8 x 24.5 cm. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), Study for Adam. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), Drawing for the Libyan Sibyl, 1511. Red chalk done from a male model. Metropolitan Museum of Art, New York. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), Study for Day, c. 1525. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), Grotesque Heads, Hercules and Antaeus, 1524-5. Red chalk, black chalk and stylus drawing. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), The Fall of Phaeton, black chalk over stylus drawing, 312 x 215 cm. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), The Rape of Ganymede (copy after lost original), 1532. Pencil. Royal Collection, Windsor Castle. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Michelangelo Buonarroti (1475-1564), Study for Last Judgement: A Flying Angel and Other Studies, c. 1534-36. British Museum, London. http://documenta-akermariano.blogspot.com/2009/12/michelangelo-buonarroti.html

Giovanni Battista Piranesi, The Triumphal Arch from the Grotteschi, drypoint and etching, detail. Ackland Fund, North Carolina http://documenta-akermariano.blogspot.com/2011/03/giovanni-battista-piranesi.html

Giovanni Battista Piranesi, The Grotteschi: Capriccio I, Skeletons, etching, c. 1747. Metropolitan Museum of Art, New York http://documenta-akermariano.blogspot.com/2011/03/giovanni-battista-piranesi.html

Giovanni Battista Piranesi, The Grotteschi: Capriccio II, The Triumphal Arch, c. 1747. Drypoint and etching, 49.53 x 64.45 cm. Ackland Fund http://documenta-akermariano.blogspot.com/2011/03/giovanni-battista-piranesi.html

Giovanni Battista Piranesi, Grotteschi: Capriccio III, engraving, c. 1747 http://documenta-akermariano.blogspot.com/2011/03/giovanni-battista-piranesi.html

Giovanni Battista Piranesi, The Grotteschi: Capriccio IV, Tomba di Nerone (Tomb of Nero), c. 1747. Etching, engraving and drypoint, 39.6 x 54.7 cm. The National Museum of Western Art, Tokyo http://documenta-akermariano.blogspot.com/2011/03/giovanni-battista-piranesi.html

Giovanni Battista Piranesi, Plan of a Large and Magnificent College Building, from Opere Varie di Archittetura, Prospettive, Grotteschi, Antichità, 1750 http://documenta-akermariano.blogspot.com/2011/03/giovanni-battista-piranesi.html

Franz Xaver Messerschmidt (1736–1783), Four Character Heads, 1770-83 http://documenta-akermariano.blogspot.com/2011/07/messerschmidt.html ; http://jdv-akermariano.blogspot.com/2011/08/expressions.html

Egon Schiele, Male Nude | Männlicher Akt, watercolor and charcoal on paper, 1910 http://documenta-akermariano.blogspot.com/2011/08/1.html

Marcel Duchamp, Nu descendant un escalier n° 2 | Nude descending a Staircase #2, 1912. Oil on canvas, 147 × 89.2 cm. Philadelphia Museum of Art http://documenta-akermariano.blogspot.com/2011/08/1.html

Jean Dubuffet, Will to Power, 1947 http://documenta-akermariano.blogspot.com/2011/06/postwar-figural-art.html ; http://documenta-akermariano.blogspot.com/2011/08/1.html

Henry Moore (1898-1986), Working Model for Reclining Figure: Festival, 1950. Bronze with a green patina, 42 cm. long. Conceived and cast in 1950 in an edition of 7. http://documenta-akermariano.blogspot.com/2009/11/moore-reclining-figure-1951.html ; http://documenta-akermariano.blogspot.com/2011/08/1.html

Henry Moore, Reclining Figure, 1951, plaster and string, 105.4 x 227.3 x 89.2 cm, Arts Council Collection, London. Photo: Tate Gallery. http://documenta-akermariano.blogspot.com/2009/11/moore-reclining-figure-1951.html

Henry Moore, Reclining Figure: Festival, 1950. Bronze, length 228.5 cm. National Galleries of Scotland, Edinburgh. Photo: A. Reeve. http://documenta-akermariano.blogspot.com/2009/11/moore-reclining-figure-1951.html

A man about to be stabbed http://documenta-akermariano.blogspot.com/2010/02/theatrical-murder.html

Once stabbed, a man experiences an unexpected facial transformation http://documenta-akermariano.blogspot.com/2010/02/theatrical-murder.html ; http://akermariano.blogspot.com/2010/11/paradox.html

Stabbed, a vicar experiences full satisfaction http://documenta-akermariano.blogspot.com/2010/02/theatrical-murder.html

Mariano Akerman, Ser sin tierra (No Land Being), acuarela, 2004. http://documenta-akermariano.blogspot.com/2010/02/documenta.html ; http://documenta-akermariano.blogspot.com/2011/02/radhanitas.html

"And the boy loved the tree, very much." Shel Silverstein, The Giving Tree, Harper & Row, 1964 http://documenta-akermariano.blogspot.com/2011/05/shel-silverstein.html

"I wish that I could give you something." Shel Silverstein, The Giving Tree, Harper & Row, 1964 http://documenta-akermariano.blogspot.com/2011/05/shel-silverstein.html

Carro porteño con la frase "La lengua no tiene rienda," foto de Roberto Fiadone, Buenos Aires, 2007; http://documenta-akermariano.blogspot.com/2009/11/las-inscripciones-de-los-carros.html ; http://migrante-akermariano.blogspot.com/2011/11/buenos-aires.html

Frase en listón de madera proveniente de un carro fileteado (Esther Barugel y Nicolás Rubió, El filete porteño, Buenos Aires: Ediciones Maizal, 2004, p. 39). http://documenta-akermariano.blogspot.com/2009/11/las-inscripciones-de-los-carros.html

Landrú (Juan Carlos Colombres), Tía Vicenta, 1979 (Tía Vicenta, Año II, No. 79, Buenos Aires, 11.5.1979, detalle de la tapa). http://documenta-akermariano.blogspot.com/2009/12/terminologia-un-tanto-obsoleta.html

Louis Hippolyte Boileau, Pomone Pavilion for Bon Marché, Paris 1925 Exhibition http://documenta-akermariano.blogspot.com/2011/05/art-deco.html

Roberto Fontanarrosa (1944-2007), Boogie el Aceitoso leyendo "A sangre fría" de Truman Capote, sin fechar. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad

Roberto Fontanarrosa (1944-2007), Inodoro Pereyra sorprendido, c. 1987. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad.html

Roberto Fontanarrosa (1944-2007), Inodoro Pereyra y Mendieta acerca de Galileo, c. 1995. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad.html

Roberto Fontanarrosa (1944-2007), Inodoro Pereyra, facón en mano y rayo inesperado, c. 1987. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad.html

Roberto Fontanarrosa (1944-2007), Inodoro Pereyra amenazante y el incondicional apoyo de Mendieta, c. 1992. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad.html

Roberto Fontanarrosa (1944-2007), Inodoro Pereyra y Mendieta en plena sospecha, c. 2001. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad.html

Roberto Fontanarrosa (1944-2007), Inodoro Pereyra y Mendieta a la hora del mate, c. 2003. http://documenta-akermariano.blogspot.com/2009/11/anglicismos-e-identidad.html ; http://hola-akermariano.blogspot.com/2011/04/arte-hispanoamericano.html ; http://migrante-akermariano.blogspot.com/2011/11/buenos-aires.html

Untitled photograph (The Pirata, 7.11.2008). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html

Birgitta Linsday, Oops..., photograph, U.S.A., 2009 (Redbubble). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html

Jake Crees, Oops, mahogany, 2001 (Animated Furniture). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://im-akermariano.blogspot.com/2010/11/artistic-imagination.html ; http://akermariano.blogspot.com/2011/03/comsats.html

Crack Two, Vienna, photograph, 2009 http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://akermariano.wordpress.com/2011/11/28/art-and-ethics/

Oops... (Blame it on the voices, 31.3.2009). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://akermariano.blogspot.com/2010/11/paradox.html

'The reversal of fortune' pic (Blogster, 2007). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://akermariano.blogspot.com/2011/03/power-in-picture.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html

# 156, photograph (Crack Two). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://akermariano.blogspot.com/2010/11/paradox.html

Untitled photograph (The Pirata, 7.11.2008). http://documenta-akermariano.blogspot.com/2009/12/significado-de-la-que-te-criaste.html ; http://akermariano.blogspot.com/2010/11/paradox.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html

Caloi, Caloidoscopio, imagen #33. http://documenta-akermariano.blogspot.com/2009/11/mimesis-como-problema.html ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/11/paradox.html ; http://akermariano.blogspot.com/2011/03/comsats.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html ; http://hola-akermariano.blogspot.com/2011/08/casa-argentina.html ; http://mariano-akerman.blogspot.com/2011/08/1999-2000.html ; http://akermariano.blogspot.com/2012/03/casa-argentina.html