Venus of Willendorf, prehistorical limestone statuette, 22.000 BCE. http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html ; http://hola-akermariano.blogspot.com/2011/08/casa-argentina.html ; http://akermariano.blogspot.com/2012/03/casa-argentina.html
Pieza de cerámica precolombina andina, cultura condorhuasi Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Hebrew manuscript illumination, Birds' Head Haggadah, Germany, 13th century. Israel Museum, Jerusalem http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
Master Heinrich of Constance, The Visitation, c.1310-20. Polychrome walnut, with gilding and rock crystal cabechons. German sculpture, from Abbey of Katharienenthal, Switzerland. Metropolitan Museum of Art, New York. http://akermariano.blogspot.com/2010/12/german-art-4.html ; http://akermariano.blogspot.com/2010/12/conferencias-alemanas.html ; http://akermariano.blogspot.com/2010/12/german-lectures.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html
Stephen Lochner, The Madonna in the Rose Bower (Maria am Rosenhag), 1448. Wallraf-Richartz Museum, Cologne http://akermariano.blogspot.com/2010/12/german-art-4.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html
Sandro Botticelli, The Birth of Venus | El nacimiento de Venus, 1484. Tempera, 172.5 × 278.5 cm. Galleria degli Uffizi, Florence http://im-akermariano.blogspot.com/2011/02/alfredo-genovese.html
Michelangelo, The Creation of Adam, fresco, 1511-12. Ceiling of the Sixtine Chapel, Rome. http://documenta-akermariano.blogspot.com/2010/04/wim-entre-los-chanchos.html ; http://migrante-akermariano.blogspot.com/2011/11/roma.html
Leonardo da Vinci, Gioconda. Musée du Louvre, Paris
Albrecht Dürer, Self-Portrait at 26, oil on panel, 1498. Museo del Prado, Madrid http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/11/german-art-1.html ; http://akermariano.blogspot.com/2010/12/conferencias-alemanas.html ; http://akermariano.blogspot.com/2010/12/german-lectures.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html
Albrecht Dürer, A Young Hare, 1502. Watercolour and gouache on paper. Graphische Sammlung Albertina, Vienna. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/11/german-art-1.html
Albrecht Dürer, The Large Turf, 1503. Watercolour and gouache on paper. Graphische Sammlung Albertina, Vienna. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/german-art-1.html ; http://jdv-akermariano.blogspot.com/2010/12/art-allemand.html
Hans Holbein the Younger, The Rich Man, woodcut, detail, 1523-26. National Gallery of Art, Washington. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/12/german-art-2.html
Moses crossing the Red Sea, from the Luther Bible, German, c. 1530, Exodus 13:17-14:29 http://akermariano.blogspot.com/2010/12/german-art-4.html ; http://akermariano.blogspot.com/2010/12/german-lectures.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://jdv-akermariano.blogspot.com/2010/12/art-allemand.html
Alessandro Tremignon, Baroque facade of St Moses Church or Chiesa di San Moisè, behind Piazza San Marco and Palazzo dei Camerlenghi, Venice, 1668 http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
Hyacinthe Rigaud, Louis XIV of France, 1701. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://akermariano.blogspot.com/2010/11/ap.html
Peter Paul Rubens. The Garden of Love, oil on canvas, detail, c.1630-33. Museo del Prado, Madrid. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/ap.html
Arent de Gelder, Esther y Mordejai escribiendo las cartas a los judíos, [1675] Pintura holandesa barroca Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Jean-Baptiste-Siméon Chardin, La Brioche, 1763. Huile sur toile. Musée du Louvre, Paris. http://profiles.yahoo.com/blog/Z55WGJZY7HTIGPTMBD5TF3PMJU?eid=_A6lZnI1y387Ai2C7qxqe818JzPzFkkBRxf3G6OX_NAFY.S9fw ; http://lajoiedevivre-akermariano.blogspot.com/2010/10/citations.html
Justus Junker, Still Life with Insects (Stillleben mit Insekten), c. 1750. Städel Museum, Frankfurt am Main → http://akermariano.blogspot.com/2010/11/ap.html ; http://im-akermariano.blogspot.com/2010/11/artistic-imagination.html
Johann Georg Hertel (after Jeremias Wachsmuth), Winter, Rococo Music, Fancy Dress Ball, etching, 1750-60. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/german-art-1.html ; http://akermariano.blogspot.com/2010/12/german-art-2.html ; http://akermariano.blogspot.com/2010/12/german-lectures.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://akermariano.blogspot.com/2011/03/comsats.html
Johann Esaias Nilson (1721-1788), "Neues Caffehaus" (New Coffee House), colored engraving, Augsburg, Germany, 1756 http://documenta-akermariano.blogspot.com/2011/03/adolph-loos.html ; http://akermariano.blogspot.com/2011/03/power-in-picture.html ; http://documenta-akermariano.blogspot.com/2012/02/architecture.html
Jean-Jacques Lequeu, Dessin pour l'hôtel de Montholon, 1786. BNF, Paris http://im-akermariano.blogspot.com/2011/07/lequeu.html
Jacques-Louis David, The Oath of the Horatii, 1784-5. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html
Francisco de Goya, La maja vestida, c. 1802-5. Óleo sobre lienzo, 95 × 188 cm. Museo del Prado, Madrid http://hola-akermariano.blogspot.com/2011/05/de-majismos-y-guapismos.html
Philipp Otto Runge (1777-1810), Self-Portrait, 1810 http://akermariano.blogspot.com/2010/12/german-art-gallery.html
Caspar David Friedrich, The Wreck of Hope, oil, 1823-4. Hamburger Kunsthalle http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Eugène Delacroix, Marianne, detail from Liberty guiding the People | La liberté guidant le peuple, oil, 1830. Louvre, Paris http://akermariano.blogspot.com/2011/11/french-modern-art.html ; http://jdv-akermariano.blogspot.com/2011/11/afi.html ; http://akermariano.blogspot.com/2011/11/french-modern-art.html ; http://documenta-akermariano.blogspot.com/2011/11/marianne.html
Wiertz, The Premature Burial, oil, 1854 http://akermariano.blogspot.com/2011/08/dawn.html
Delacroix, Lion Hunt, 1861. http://akermariano.blogspot.com/2012/03/alliance-francaise.html
Jean-François Millet, Woman baking Bread, 1854. http://akermariano.blogspot.com/2012/03/alliance-francaise.html
Édouard Manet, Execution of Emperor Maximilian of Mexico, 1868 http://hola-akermariano.blogspot.com/2011/05/la-cucaracha.html
Karl Edouard Biermann (1803-92), Borsig Engineering Work in Berlin (Borsig's Maschinenbau-Anstalt zu Berlin), 1847. Oil on canvas. Stadtmuseum Berlin. Ref. Industrial Revolution. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/12/german-art-3.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Hyppolyte Boulanger, The Coming of the Storm (L'approche de l'orage), oil, 1871 http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
John Singer Sargent, Madame X (Madame Pierre Gautreau), 1884
Ernesto de la Cárcova, Sin pan y sin trabajo, 1894 Realismo Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://akermariano.blogspot.com/2010/05/art-from-argentina.html ; http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Claude Monet, Impression, soleil levant, 1872. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://jdv-akermariano.blogspot.com/2011/11/afi.html ; http://akermariano.blogspot.com/2011/11/french-modern-art.html ; http://hola-akermariano.blogspot.com/2012/01/similitudes.html
Camille Pissarro, Prados de Valhermeil, Pontoise, 1874 Impresionismo Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Vincent van Gogh, Le Moulin de la Galette, 1886 Museo Nacional de Bellas Artes, Buenos Aires, Argentina Photo by Mariano Akerman http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Max Liebermann, Country Tavern at Brannenburg, oil, 1893. Musée d'Orsay, Paris. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/german-art-1.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://jdv-akermariano.blogspot.com/2010/12/art-allemand.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Georges Seurat, The Seine and la Grande Jatte, Springtime, 1888. Musées royaux des Beaux-Arts de Belgique, Bruxelles.http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://hola-akermariano.blogspot.com/2011/07/pedro-canoero.html → http://akermariano.blogspot.com/2010/11/ap.html
Vincent Van Gogh, Wheat Field with Cipresses, 1889. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://hola-akermariano.blogspot.com/2011/08/casa-argentina.html ; http://akermariano.blogspot.com/2012/03/casa-argentina.html
Vincent van Gogh, Cottages with Thatched Roofs, Auvers-sur-Oise, June 1890. Oil on canvas. Musée d'Orsay, Paris http://documenta-akermariano.blogspot.com/2011/06/waiting-for-godot.html ; http://documenta-akermariano.blogspot.com/2011/08/empathy.html
Paul Gauguin, Self-Portrait, 1889. http://akermariano.blogspot.com/2012/03/alliance-francaise.html
Georges Lacombe, Marine bleue, Effet de vagues, 1893. Musée des Beaux-Arts de Rennes. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2011/03/power-in-picture.html ; http://jdv-akermariano.blogspot.com/2011/11/afi.html ; http://akermariano.blogspot.com/2011/11/french-modern-art.html
Alphons Mucha, Job, poster, 1896 http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
Max Läuger, Vase, earthenware, 1899. http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html ; http://hola-akermariano.blogspot.com/2011/08/casa-argentina.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html ; http://akermariano.blogspot.com/2012/03/casa-argentina.html
JUGENDSTIL. Ephraim Moses Lilien, The Covenant of Abraham, Die Bucher der Bible: Das erste Buch Mose, 1908 http://akermariano.blogspot.com/2010/12/german-art-4.html ; http://akermariano.blogspot.com/2010/12/conferencias-alemanas.html ; http://akermariano.blogspot.com/2010/12/german-lectures.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://jdv-akermariano.blogspot.com/2010/12/art-allemand.html ; http://documenta-akermariano.blogspot.com/2011/02/radhanitas.html ; http://akermariano.blogspot.com/2011/03/power-in-picture.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html ; http://documenta-akermariano.blogspot.com/2012/01/monotheistic-legacy.html
Henri Matisse, The Green Strip (Portrait of Madame Matisse), 1905. Oil on canvas, 40.6 x 32.4 cm. Statens Museum for Kunst, Copenhagen. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://jdv-akermariano.blogspot.com/2011/11/afi.html ; http://akermariano.blogspot.com/2011/11/french-modern-art.html
André Derain, Charing Cross Bridge, London, 1906. National Gallery of Art, Washington DC. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://akermariano.blogspot.com/2010/11/ap.html
Henri Matisse, Harmony in Red, 1908. Oil on canvas, 80 x 220 cm. Hermitage Museum, St Petersburg http://documenta-akermariano.blogspot.com/2011/06/waiting-for-godot.html
Kirchner, The Street (Die Straße), 1913. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://hola-akermariano.blogspot.com/2011/03/falsos-amigos.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Karl Schmidt-Rottluff, Girl from Kowno (Madchen aus Kowno), woodcut, 1918. Brücke Museum, Berlin http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/12/conferencias-alemanas.html ; http://akermariano.blogspot.com/2010/12/german-lectures.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Amedeo Modigliani, Jeanne Hébuterne à la Cloche | Jeanne Hébuterne with Necklace and Hat | Jeanne Hébuterne con collar y sombrero, 1917. http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2012/03/alliance-francaise.html
Joaquín Sorolla y Bastida (1863-1923), Quinta Avenida, Nueva York | Fifth Avenue, New York, gouache, 1911. Museo Sorolla, Madrid. http://www.flogup.com/gustibus/1649032 Sorolla se encuentra en Estados Unidos en 1911. Desde el Hotel Savoy, donde se aloja, capta algunos rincones del Central Park y las calles aledañas. Sus imágenes son notas breves, prácticamente fauvistas, en las que parece prescindir del dibujo y recurre a la mancha. → http://akermariano.blogspot.com/2010/11/ap.html
Max Beckmann, The Night, 1918-19, oil on canvas, Kunstammlung Nordrhein-Westfalen, Düsseldorf
Max Beckmann (1884-1959), Acrobat on the Trapeze, 1923, Saint Louis Art Museum. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Max Beckmann, The Argonauts, triptych, 1949-50, oil on canvas, National Gallery of Art, Washington DC. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15
Erich Mendelsohn, Einstein Tower, sketch, 1919 http://documenta-akermariano.blogspot.com/2011/11/erich-mendelsohn.html
Pablo Picasso, Autoportrait | Self-Portrait | Autorretrato, 1907. Narodni Gallery, Prague. http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://akermariano.blogspot.com/2010/11/ap.html
Pablo Picasso, Dora Maar au chat | Dora Maar with a Chat, 1941 Dora Maar (1907-1997) met Picasso in 1930, and their relationship lasted until 1946. A native from Paris, Maar was one of Picasso's favourite models.
Pablo Picasso, Girl before a Mirror, 1932
Pablo Picasso, Mujer acostada, 1931 Figuración Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Robert Delaunay, Champs de Mars. La Tour rouge, 1911 http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://jdv-akermariano.blogspot.com/2011/03/manifeste-du-futurisme.html ; http://documenta-akermariano.blogspot.com/2011/03/manifesto.html
August Macke, Big Bright Window (Großes helles Schaufenster), oil, 1912. Sprengel Museum, Hannover. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Franz Marc, The White Bull, from his "Painting with Cattle", oil, 1913 http://akermariano.blogspot.com/2010/12/form-und-bedeutung.html ; http://akermariano.blogspot.com/2010/12/conferencias-alemanas.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://jdv-akermariano.blogspot.com/2010/12/art-allemand.html
Franz Marc, Deer in Flower Garden, oil, 1913. Bremen Kunsthalle. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15 ; http://akermariano.blogspot.com/2010/11/german-art-1.html ; http://akermariano.blogspot.com/2010/12/german-art-3.html
Wassily Kandinsky, Composition IV, oil, 1911. Kunstsammlung Nordrhein-Westfallen, Düsseldorf. http://akermariano.blogspot.com/2012/03/casa-argentina.html ; http://hola-akermariano.blogspot.com/2011/08/casa-argentina.html ; http://documenta-akermariano.blogspot.com/2011/08/empathy.html
Martin Wagner, Planned remodelling of Potsdamer and Leipziger Platz, Berlin, 1929 http://documenta-akermariano.blogspot.com/2011/10/roaring-twenties.html
Johannes Itten, Studies of Color, Bauhaus, 1919-22 http://akermariano.blogspot.com/2011/09/gestalt.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Piet Mondrian, Composition with Gride, Collection Yves St Laurent, Paris http://hola-akermariano.blogspot.com/2012/01/similitudes.html
Mies van der Rohe, Model for a Glass Skycreaper (Maquette Glazen Wolkenkrabber), 1922 http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Walter Gropius, Bauhaus, Dessau, 1925 http://documenta-akermariano.blogspot.com/2011/05/bauhaus.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html ; http://akermariano.blogspot.com/2011/11/news.html
Aerial perspective of Walter Gropius' Bauhaus main building, Germany.
Tomás Maldonado, Composición madí, 1940 Abstracción Madí Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Otto Dix (1891-1969), Newborn Baby on Hands (Portrait of Ursus Dix) | Bebé recién nacido sobre manos (Retrato de Ursus Dix), 1927. Mixed media on plywood | técnica mixta, 50 x 43.5 cm. Staatsgalerie, Stuttgart http://documenta-akermariano.blogspot.com/2011/10/roaring-twenties.html
Otto Dix, Portrait of the Journalist Sylvia von Harden, 1926, mixed media on wood, 120 x 88 cm, Staatsgalerie, Stuttgart. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html
Giorgio de Chirico (1888-1978), The Philosopher's Conquest, 1914, oil on canvas, 125.1 x 99.1 cm, Art Institute of Chicago. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html
George Grosz (1893-1959), Café Megalomania, 1915, Pen and ink on cream wove paper, 23.2 x 18.4 cm, Galerie St. Etienne, New York. http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Marcel Duchamp, The Fountain, 1917, readymade (urinal), present whereabouts unknown. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html ; http://documenta-akermariano.blogspot.com/2010/04/wim-entre-los-chanchos.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://documenta-akermariano.blogspot.com/2011/06/waiting-for-godot.html
John Heartfield, Dada Photomontage, 1917 http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Raoul Hausmann, ABCD, portrait de l'artiste, 1923-24. Encre de chine et collage sur papier, 40,4 x 28,2 cm. Musée national d'art moderne, Centre Georges Pompidou, Paris http://documenta-akermariano.blogspot.com/2011/10/roaring-twenties.html
Kurt Schwitters, Das Undbild | "The And-Picture," collage 1919. Centre Georges Pompidou, Paris http://akermariano.blogspot.com/2011/09/gestalt.html
I.K. Bonset (Theo van Doesburg), La matière denaturalisée: destruction 2, c. 1923. Collage, ink and gouache on cardboard, 59.5 x 44 cm. Fries Museum, Leeuwarden http://akermariano.blogspot.com/2011/09/gestalt.html
Max Ernst, Elle resemblait légèrement à un cheval, collage, 1937 (Leonora Carrington, La maison de la peur, Paris: 1938, p. 2). http://akermariano.blogspot.com/2012/03/alliance-francaise.html ; http://documenta-akermariano.blogspot.com/2010/03/collage.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/12/german-art-2.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html ; http://mariano-akerman.blogspot.com/2011/10/gestalt-program.html She looked slightly like a horse. | Ella se parecía ligeramente a un caballo.
Max Ernst, The Elephant Celebes, 1921, oil on canvas, 125.4 cm × 107.9 cm, Tate Gallery, London. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html
Magritte (1898-1967), The Treachery of Images (La trahison des images), 1928-29, oil on canvas, 63.5 cm × 93.98 cm, LACMA (Los Angeles County Museum of Art). http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2012/03/discovering-belgian-art.html
John Heartfield, Adolf the Superman: Swallows Gold and Spouts Junk, photomontage, 1932. AIZ 11, #29, 17.7.1932, p. 675. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html
John Heartfield, Peace and Fascism, photomontage, London. Caption: "The dove of peace is transfixed by the fascist bayonet before the League of Nations building, whose white cross has become a swastika."
John Heartfield, And Yet It Moves, photomontage, 1943. http://akermariano.blogspot.com/2010/12/german-art-3.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Karl Schwesig, Schlegelkeller, 1935. Düsseldorf Stadtmuseum http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html
Käthe Kollwitz, The Mothers, woodcut, 1921. http://akermariano.blogspot.com/2010/11/ap.html ; http://akermariano.blogspot.com/2010/12/german-art-gallery.html
Käthe Kollwitz, Mother with Twins (Mutter mit Zwillingen), bronze, 1927-37. Käthe-Kollwitz-Museum, Berlin-Charlottenburg (Photo: Axel Mauruszat; Editing: Mariano Akerman). http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Käthe Kollwitz, Seed corn must not be ground, 1942. http://akermariano.blogspot.com/2010/12/german-art-3.html
Max Baur, Putte an der Fahnentreppe am Stadtschloß, Potsdam, 1928-44. Deutches Bundesarchiv Bild 170-272 http://documenta-akermariano.blogspot.com/2011/08/empathy.html
Escher, Relativity, 1953. Woodcut, 28.2 x 29.4cm http://hola-akermariano.blogspot.com/2011/08/ciclo.html
René Magritte, Les grâces naturelles | The Natural Graces | Las gracias naturales, 1964 Kunsthaus Zürich, Switzerland http://akermariano.blogspot.com/2012/03/pintura-belga.html ; http://akermariano.blogspot.com/2012/03/be-175.html
Jackson Pollock, Estrella fugaz, 1947 Expresionismo abstracto Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Mark Rothko, No.3/No.13, 1949 → http://akermariano.blogspot.com/2010/11/ap.html
Mark Rothko, Untitled, 1969. National Gallery, Washington
Max Bill (1908-1994), Endless Twist, bronze, 1953-56. Middelheim Museum, Antwerpen Quo vadis? http://hola-akermariano.blogspot.com/2011/08/ciclo.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Informalism | Informalismo - Hans Hartung (Germany). http://documenta-akermariano.blogspot.com/2011/08/hartung.html ; http://akermariano.blogspot.com/2010/11/ap.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Hans Hofmann, Polyhymnia, oil, 1963. http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html ; http://hola-akermariano.blogspot.com/2011/08/creadores-suizo-alemanes.html
Ad Reinhardt, A Page of Jokes, cartoon, 1946.
Ad Reinhardt, "How to look at an Artist," cartoon, PM Magazine
Ad Reinhardt, "A Portend of the Artist as Yhung Mandala," cartoon, PM Magazine (Ad Reinhardt, Art Comics and Satires, 1976).
Ad Reinhardt, "How to look at Modern Art in America," cartoon, PM Magazine, 1946. http://www.mauricegolubov.net/Tree.htm
Ad Reinhardt, "Picture Artist," undated cartoon. Courtesy of The Smithsonian Archives of American Art.
Ad Reinhardt, "Abstract Painter," undated cartoon. Courtesy of The Smithsonian Archives of American Art.
Henry Moore (1898-1986), Working Model for Reclining Figure: Festival, 1950. Bronze with a green patina, 42 cm. long. Conceived and cast in 1950 in an edition of 7. http://documenta-akermariano.blogspot.com/2009/11/moore-reclining-figure-1951.html
Willem de Kooning (1904-97), Woman I, 1950-1, oil on canvas, 192.7 x 147.3 cm, Museum of Modern Art, New York. ← http://im-akermariano.blogspot.com/2009/11/grotesque-painting-20th-overview.html
Juan Carlos Distéfano, El mudo, 1973 Nueva figuración Museo Nacional de Bellas Artes, Buenos Aires, Argentina http://documenta-akermariano.blogspot.com/2012/03/mnba.html
Alberto Heredia, Gadging (Los amordazamientos), Argentina, 1972-4. Museo Nacional de Bellas Artes, Buenos Aires http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
David Hockney → http://akermariano.blogspot.com/2010/11/ap.html
Donald Judd, Stark, 1965 http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
Anselm Kiefer, Margarete (Margarethe), 1981. Oil and straw on canvas, 280 x 380 cm. Saatchi Collection, London. http://knol.google.com/k/mariano-akerman/arte-alemán/1ik6mids3hewl/15
Modern house. Minimalistic style. Facing the Mediterranean Sea http://documenta-akermariano.blogspot.com/2011/02/anonymous-collector.html
Barbra Kruger, "I shop therefore I am," collage, 1989 http://migrante-akermariano.blogspot.com/2011/11/new-york.html
Barbra Kruger, "If you're so successful, why do you feel like a fake?," photographic silkscreen on mirrored glass, 1987. The Board Art Foundation, Santa Monica
Barbra Kruger, "Thinking of You," collage, c. 1980s http://documenta-akermariano.blogspot.com/2011/08/empathy.html ; http://akermariano.wordpress.com/2011/11/28/art-and-ethics/